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FYI

Billie Eilish Album Is No. 1, But Logic Has the Week's Highest Debut

Billie Eilish’s When We All Fall Asleep, Where Do We Go? holds at No. 1 on the Billboard Canadian Albums chart in its fourth non-consecutive week, with 8,400 total consumption units.

Billie Eilish Album Is No. 1, But Logic Has the Week's Highest Debut

By FYI Staff

Billie Eilish’s When We All Fall Asleep, Where Do We Go? holds at No. 1 on the Billboard Canadian Albums chart in its fourth non-consecutive week, with 8,400 total consumption units. The album also has the highest audio-on-demand streams and digital song download totals for the week. This matches Lady Gaga & Bradley Cooper’s A Star Is Born soundtrack for the most extended stay at the top of the chart so far in 2019.


Logic’s Confessions of a Dangerous Mind achieves top debut status of the week, entering at 2. It tops the No. 4 peak of his last album, YSIV, in October 2018.

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Other debuts in the top 50 include Bernard Adamus’ C’Qui Nous Reste du Texas, at 16 and Mac Demarco’s Here Comes the Cowboy, at 17.

Ed Sheeran & Justin Bieber’s “I Don’t Care” debuts at No. 1 on the Digital Songs chart with 16,000 downloads, the highest one-week total since Sheeran’s Perfect in January 2018. It is his third digital chart-topper and Bieber’s tenth No. 1. The song debuts at 2 on the Streaming songs list, behind Lil Nas X’s Old Town Road, which spends its sixth straight week at No. 1.

– All data courtesy of SoundScan with additional detail provided by Nielsen Canada Director Paul Tuch.

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Drake
Norman Wong
Drake
Legal News

‘Unprecedented’: Drake Appeals Dismissal of Lawsuit Over Kendrick Lamar’s ‘Not Like Us’

The star's attorneys say the "dangerous" ruling ignored the reality that the song caused millions of people to really think Drake was a pedophile.

Drake has filed his appeal after his lawsuit against Universal Music Group (UMG) over Kendrick Lamar’s “Not Like Us” was dismissed, arguing that the judge issued a “dangerous” ruling that rap can never be defamatory.

Drake’s case, filed last year, claimed that UMG defamed him by releasing Lamar’s chart-topping diss track, which tarred his arch-rival as a “certified pedophile.” But a federal judge ruled in October that fans wouldn’t think that insults during a rap beef were actual factual statements.

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