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The Beautiful Tragedy Known As Warren Zevon

Zevon’s only real hit was Werewolves of London; a novelty song, yet it displayed his morbid sense of humour, a strong line in narrative and imagery and a beautiful gift of melody.

The Beautiful Tragedy Known As Warren Zevon

By External Source

... (Warren) Zevon needed friends because among all the creativity, was a wrecking ball of destruction and addiction, which eventually led to rehab, getting clean and a song, of course, Detox Mansion.


He was equally at home writing observational pieces as well as personal. He was a writer who sung the story. With just an opening line, you were hooked:

‘’Grandpa pissed his pants again”

And then:

“He don’t give a damn
Brother Billy has both guns drawn
He ain’t been right since Vietnam.

“Sweet home Alabama”
Play that dead band’s song
Turn those speakers up full blast
Play it all night long.

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“Daddy’s doing Sister Sally
Grandma’s dying of cancer now
The cattle all have brucellosis
We’ll get through somehow.”

A particular joy of his work is hearing words that have never, you can safely bet, been rarely used in song: As in his scathing portrayal of Elvis Presley:

“Hip-shakin’ shoutin’ in gold lame/
That’s how he earned his regal sobriquet …

“Left behind by the latest trends
Eatin’ friend chicken with his regicidal friends.”

Carl Hiaasen said that the “most intimidating thing about him was the breadth of his intellect. A prodigious reader, he could talk knowledgeably about Marcel Proust, Thomas Mann or Mickey Spillane, all in the same conversation. Likewise, a casual chat about music could carom from Radiohead to Brian Wilson to Shostakovich, at which point all I could do was nod and pretend I understood what the hell he was talking about”.

– Excerpted from Warren Zevon: Time Stands Still by Warwick McFadyden and published in the Daily Review

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Tate McRae in Montreal at Osheaga 2026.
Vincent St-Pierre / Billboard Canada

Tate McRae à Montréal à Osheaga 2026.

Tate McRae fait vibrer Montréal et revendique son côté « Canada Down » à Osheaga 2026

La pop star originaire de Calgary a assuré samedi soir (1er août) sa première tête d’affiche dans un grand festival montréalais, clôturant la deuxième journée de l’événement en inaugurant sa nouvelle ère devant le public de son pays natal.

Tate McRae est désormais une véritable superstar. Samedi soir (2 août), la chanteuse originaire de Calgary est montée sur la scène principale d'Osheaga pour assurer la tête d'affiche de la deuxième des trois soirées du festival, franchissant une nouvelle étape de sa carrière en menant pour la première fois l'affiche d'un grand festival de musique.

Elle rejoint ainsi un cercle très restreint d'artistes canadiens. McRae devient la première Canadienne à être tête d'affiche d'Osheaga depuis Arcade Fire en 2022, et la deuxième artiste canadienne à occuper cette place depuis The Weeknd en 2017. (L'édition exceptionnelle de 2021, entièrement consacrée aux artistes canadiens en raison de la pandémie, avait également accueilli Charlotte Cardin parmi ses têtes d'affiche.)

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