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FYI

Basement Revolver: Heavy Eyes

The hotly-tipped Hamilton indie rock trio lives up to the hype with this compelling title track from an imminent debut full-length. It showcases the heavier side of their dream pop sound.

Basement Revolver: Heavy Eyes

By Kerry Doole

Basement Revolver - "Heavy Eyes" (Sonic Unyon): This is the title track from the imminent debut album from share the title track from the hotly-tipped Hamilton indie rock trio, coming via hometown label Sonic Unyon on Aug. 24.


Driven by pounding percussion and guitars, it focuses on the heavier side of the group's shoegaze/dreampop style. In a label press release, songwriter and singer Chrisy Hurn explains that “‘Heavy Eyes’ is about feeling really tired. And life is hard when you are really tired.”

Her vocals suggest Alvvays' Molly Rankin as a reference point, and there's a strong melodic core to the cut.

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Basement Revolver has met with a very positive response on the international blogosphere, and streaming numbers from earlier tracks now exceed a million. Heavy Eyes was recorded in Hamilton with co-producers Adam Bentley and Jordan Mitchell (The Dirty Nil, City and Colour).

Five Ontario dates in September include Hamilton's Supercrawl on Sept. 14 and a support slot for The Pack A.D. at Toronto's Horseshoe Tavern on Sept. 20.

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Publicity: Ken Beattie, Killbeat

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Rush's Geddy Lee and Alex Lifeson
Richard Sibbald
Rush's Geddy Lee and Alex Lifeson
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Rush Filming Sold-Out Toronto Shows for a Potential Concert Film

The legendary Canadian band is set to play four sold-out nights at Scotiabank Arena this week on Aug. 7, 9, 11 and 13 as part of its milestone 50th anniversary reunion tour, and will film the four homecoming shows in their entirety.

Rush are making a blockbuster return home. The legendary Canadian rock band kicks off the first of four sold-out nights at Scotiabank Arena in their hometown of Toronto tonight (Aug. 7), and lead singer Geddy Lee has revealed on Instagram that the shows are going to be filmed live for a possible concert movie, with the goal of bringing the Rush experience to the big screen across the world.

"It’s always a hard decision as to where to film a live concert," he wrote. "Given the limited cities we are able to play, the demand for such a film has been off the charts, not only as a keepsake of their experience, but for those many fans that have not been able to see it live. Toronto being hometown made it a natural choice, and being the last mini-residency of 4 shows, playing over 40 songs which gives us the best chance to capture it all."

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