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FYI

Bad Child: Bad Child

This eponymous debut single from the young Canadian artist hints at both contemporary R&B and atmospheric art-rock. It clearly stamps him as a real talent, one to be watched closely.

Bad Child: Bad Child

By Kerry Doole

Bad Child - "Bad Child" (21 Entertainment/UMC): Not much personal information (or his real name) is available about this 21-year old who is the latest addition to Chris Smith's 21 Entertainment Group roster that is also home to Alessia Cara.


His debut live video for the track, filmed at Toronto club The Hideout, has already quickly gained an impressive number of views (112K) following the release of an intriguing single mixing sparse contemporary R&B that's a mite suggestive of The Weeknd, and part atmospheric modern art-rock, a la Alt-J. In a label release, he explains that "'Bad Child' is about "finding redemption in my failures. It is about not being good enough, not living up to expectations, it's about trying to be a better person."

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Go figure, Mr. Bad Boy!

A follow-up single, "Payback," is being readied for release, and the fact that it is mixed by Spike Stent (Beyoncé, Grimes, Yeah Yeah Yeahs) indicates that serious resources are being afforded Bad Child. Definitely one to watch out for.

No word on live dates as of yet.

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Publicity: Allison Phillips, Universal Music Canada

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Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa
Photo by Will Francis on Unsplash
FYI

Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa

Also this week: Sled Island reveals initial lineup curated by clipping., Truro hosts Nova Scotia Music Week and more.

The CRTC recently launched a call for applications for FM radio stations to serve Indigenous communities in Toronto and Ottawa. Broadcast Dialogue reports "the call follows the demise of First Peoples Radio’s ELMNT FM stations, which went off the air on Sept. 1 last year. Launched in the fall of 2018, the stations had a goal to 'fill the gap' for urban Indigenous listeners under-represented in the radio landscape. They carried an 'Indigenous-variety' format, featuring both English and Indigenous-language spoken-word and musical programming, with 25% of the playlist dedicated to Indigenous talent.

In its call, the commission says in its view, "there is a need and a demand for radio stations to serve the needs and interests of those communities."

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