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FYI

Arkells, Andrew Austin Win Big In This Week's Radio Draw

The following are tracks delivered to radio by digital distributor DMDS/Yangaroo in Canada and broken down into two categories.

Arkells, Andrew Austin Win Big In This Week's Radio Draw

By FYI Staff

The following are tracks delivered to radio by digital distributor DMDS/Yangaroo in Canada and broken down into two categories. Top Downloads represents the most copied tracks in the week ending August 31, and the Most Active Indies blends downloads and streams, with the affiliated label and radio promotions company in parenthesis.


Top Downloads
  1. Arkells “Relentless” (Universal)

  2. Tyler Shaw “With You” (Sony)

  3. The Reklaws “Feels Like That” (Universal)

  4. lovelytheband “Broken” (RED/Sony)

  5. Elijah Wood x Jamie Fine “Better Off” (Big Machine/Universal)

  6. OneRepublic “Connection” (Mosley/Interscope/Universal)

  7. Calvin Harris, Sam Smith “Promises” (Columbia/Sony)

  8. Michael Jackson x Mark Ronson “Diamonds are Invincible” (Epic/Legacy)

  9. Andrew Austin f. Willa “Everything And More” (Indie/RPMpromo)

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  10. Paul Brandt “Bittersweet” (Warner)

Most Active Indies
  1. Andrew Austin f. Willa “Everything And More” (Indie/RPMpromo)

  2. Tim Hicks f. Lindsay Ell “The Worst Kind” (Open Road)

  3. Reuben And The Dark “Dreaming” (Arts & Crafts/Canvas Promo)

  4. Robert DeLong “Revolutionary” (Glassnote)

  5. Terri Clark “Young As We Are Tonight” (Baretrack)

  6. Past The Perimeter “Heart Against The Wall” (Indie/Last Tango Promo)

  7. Brenda Dirk “Hell Ya’” (Indie/L. Tutty Promo)

  8. Brad James “I Love The Way You Drink” (Indie/B. Martineau Promo)

  9. Alert The Medic “What Are The Odds?” (Indie/RPMpromo)

  10. Hook & Nail “Two Tons” (Indie)

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Touring

'COVID Ripped Up the Playbook': These Canadian Music Festivals Have Called For Support or Closed Since 2023

Festivals are facing tough post-lockdown circumstances, from rising production costs to fewer corporate sponsorships to hesitant audiences.

It's no secret that Canadian festivals have been facing hard times.

The post-lockdown years have seen high profile festivals filing for creditor protection, like Montreal's comedy behemoth Just for Laughs; scrambling to reorganize or downsize programming, like Toronto Jazz Festival and Calgary's JazzYYC, after TD withdrew sponsorship; or cancelling editions altogether, like Toronto food and culture festival Taste of the Danforth.

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