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Rb Hip Hop

Drake Adds Footage of an Unreleased Beat Meant for Kendrick Lamar to ‘100 Gigs’

The beat was made around the time the Toronto rapper was recording Nothing Was the Same.

Drake performs onstage during "Lil Baby & Friends Birthday Celebration Concert" at State Farm Arena on Dec. 9, 2022 in Atlanta.

Drake performs onstage during "Lil Baby & Friends Birthday Celebration Concert" at State Farm Arena on Dec. 9, 2022 in Atlanta.

Prince Williams/Wireimage

Drake left a Kendrick Lamar breadcrumb within his “100 Gigs” project.

In a two-minute video filed under MVI_7806.MP4 in the 2.0 NWTS_1 folder, he, OVO 40 and OVO Hush are listening to a beat produced by 40 and Omen meant for Drake and an unnamed guest feature. As 40 talks about how the beats builds, Drake nods in agreement and says, “For him, where he’s at, I know he’s gonna murder this.” 40 then replied, “When he told me Kendrick, it just made so much sense. Oh, the brilliance! So good.”


The Toronto rapper ended up not using the beat and the collab never happened. However, the beat did find a home, ending up in the hands of Queens rapper Action Bronson for his song “Actin Crazy” from his 2015 album Mr. Wonderful.

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Drake recorded his third solo album, Nothing Was the Same, between 2012 and 2013, and released it on Sept. 24, 2013. This is relevant information because Kendrick’s “Control” verse in which he called multiple rappers out by name, including Drake, dropped in August 2013.

Drake talked about said verse twice: once in a Billboard cover story (August 2013) and again during 2013 a sitdown with Elliott Wilson. “I didn’t really have anything to say about it. It just sounded like an ambitious thought to me,” he told Billboard at the time. “That’s all it was. I know good and well that [Lamar]‘s not murdering me, at all, in any platform. So when that day presents itself, I guess we can revisit the topic.” Then about a month later in September, he downplayed Lamar’s verse again, telling Wilson, “That [‘Control’] verse was a moment to talk about. Are you listening to it now, though?”

Those quotes led to Dot responding during TDE’s BET Cypher that aired in October 2013, in which he rapped, “Yeah, and nothing been the same since they dropped ‘Control’/ And tucked a sensitive rapper back in his pajama clothes.”

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While Kendrick has remained quiet since releasing the “Not Like Us” video, Drake may have hinted at another round with the Compton rapper in the Stories of his finsta Instagram account @plottttwistttttt.

This article was first published on Billboard U.S.
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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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