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Kim Petras Serves Up the Raunchiest Valentine’s Day Mix Ever on Sultry ‘Slut Pop Miami’ EP

Let's put it this way: "Cubana" is basically the only title that is safe for work.

Kim Petras Serves Up the Raunchiest Valentine’s Day Mix Ever on Sultry ‘Slut Pop Miami’ EP

Kim Petras has the perfect soundtrack for you Valentine’s Day. The Grammy-winning singer dropped a 12-track sex positive lust bomb EP on Wednesday (Feb. 14) entitled Slut Pop Miami, a sequel her 2002 seven-track Slut Pop EP.

The collection that a press release explains was “inspired by hedonistic trips to Miami” pulls no punches from jump on “Slut Pop Reprise,” on which Petras promises “these b–ches can’t suck like me/ Walk in, I’m the sucking queen” over an insistent disco beat and a robotic voice announcing “this is slut pop.”


The pleasure-seeking party doesn’t stop there, with X-rated jams including “Gag On It,” “F–in’ This F–kin’ That,” “Get F–ked,” “Rim Job,” “C–kblocker,” “B-tt Slut,” “Whale C-ck” and the EDM banger “Banana Boat,” on which Petras coos “So ripe, so sweet, big and juicy/ Can’t wait to put ya in my smoothie/ I wanna ride, ride, ride your banana boat.”

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Petras has been hyping the collection on her Instagram for the past two weeks, showing off a custom Corvette with the album’s title, a teaser for the album’s title track in which Petras poses on the beach in a barely there silver bikini hiding, over inflated, exploding breast implants. After that clip was posted, Petras’ “Unholy” collaborator, Sam Smith, commented “UNBELIEVABLE.”

In the day leading up the EPs release, Petras released two more NSFW teaser videos that, well, see for yourself.

Petras is currently on the European leg of her Feed the Beast world tour in support of her 2023 albums Feed the Beast and Problématique.

Listen to Slut Pop Miami below.

This article was originally published by Billboard U.S.

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FYI

Media Beat: The Need to Preserve Canada's Broadcasting History (Opinion Column)

The Canadian Broadcast Museum Foundation pitches its message to politicians: Without a past there is no future!

After 18 months of waiting for a reply from the CRTC, Kealy Wilkinson, executive director of the Canadian Broadcast Museum Foundation, realized that the broadcast regulator was not hearing her urgent plea for recognition and funding to preserve the history of broadcasting in Canada.

The “museum” as it stands today is more a storage site for some 65K tapes, videos, scripts and other ephemera donated or salvaged from a legacy of past, present and long-extinct broadcast companies that a small volunteer staff has been cataloguing and preserving on a shoestring budget. For whatever reason, no one company or individual has stepped up to the plate to thump down a sizeable chunk of cash to turn a museum in storage boxes into an archive that is preserved, digitized and available online.

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