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Billie Eilish Says She’s ‘Definitely’ Getting Back in the Studio This Year, Teases More Tour Dates

The star is currently in Australia on her Hit Me Hard and Soft trek.

Billie Eilish
Billie Eilish
Petros Studio

Billie Eilish is moving full steam ahead in 2025, with the pop star teasing in a recent interview that she’s ready to get back in the studio following last year’s hit album Hit Me Hard and Soft — that is, whenever she finds the time while on tour this year, something she hinted might not end as soon as fans think.

While in Australia for the latest leg of her global Hit Me Hard and Soft trek, Eilish was candid about her plans for the next 12 months in an interview with Hit Network posted Wednesday (Feb. 26). “Definitely getting back into the studio and doing stuff,” she began. “I mean, I definitely have more tour.”


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“Lots of tour to do,” she added, before teasing, “Probably more than I’m even scheduled for that’s going to come, which I’m excited about.”

Eilish is currently booked through the end of June, with the “Lunch” singer scheduled to embark on a European leg shortly after her Australian run of dates ends in March. So far, she’s completed four shows in Brisbane and two of four nights in Sydney.

Before that, the nine-time Grammy winner spent about two months touring through North America before closing out with five shows at the Kia Forum in Inglewood, Calif. Just before shipping off to Australia, Eilish performed her hit single “Birds of a Feather” at the 2025 Grammys, where the song was also nominated for song and record of the year, while Hit Me Hard and Soft was up for album of the year; she ended up losing to Kendrick Lamar’s “Not Like Us” for both song categories, and Beyoncé’s Cowboy Carter for AOTY.

The “What Was I Made For?” artist has still had a banner year with her third studio album, which debuted at No. 2 on the Billboard 200. “Birds of a Feather” — which peaked at No. 2 on the Billboard Hot 100 — was also one of the most streamed songs of 2024, with Spotify reporting in January that the buoyant love song beat out all other tracks on the platform last year.

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While speaking to Hit Network, however, Eilish revealed that she truly had no idea the LP would be received so well. “I’ve definitely learned that I never have any idea what people are gonna like or not like,” she told the outlet. “In the making of this album, I had a couple moments of like, ‘They’re not going to like it; people aren’t going to like it; it’s not good enough; what if it’s not universal?'”

“And then, I gave it up and thought, ‘You know what? I don’t care at all,'” she added. “‘I’m not making this for anyone but myself.'”

This article was first published by Billboard U.S.

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Mariah Carey kicks off the 2025 holiday season.
Courtesy Photo

Mariah Carey kicks off the 2025 holiday season.

Pop

In This Season of Giving, Mariah Carey Shares Throwback Clip From 1994 Manifesting a Potential Christmas Classic One Day: ‘So Grateful’

MC only had to wait 25 years for her all-time holiday classic "All I Want For Christmas Is You" to hit No. 1 on the Billboard Hot 100.

Mariah Carey is the undisputed Queen of Christmas. The pop singer has lorded over the holiday charts for the past six years with her ubiquitous wintertime classic “All I Want For Christmas Is You.” It seems hard to believe it now if you’ve been anywhere near a store since Halloween, but the yuletide favorite that was released in 1994 did not chart until 2000 and did not hit No. 1 on the Billboard Hot 100 until 2019, fully 25 years after it first hit our ears.

Now, as the holidays really ramp up, the best-selling Christmas song of all time in the U.S. seems like a no-brainer to top the charts every year. But on Tuesday (Dec. 9), MC gave thanks for how it all started in a throwback video she re-posted from a fan feed of an interview she did in 1994 in which she was asked if she hopes one of the songs from her first holiday album, that year’s Merry Christmas, might some day be as ubiquitous as such standards as “White Christmas” or “Rockin’ Around the Christmas Tree.”

This article was first published by Billboard U.S.
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