advertisement
Country

Beyoncé Welcomes the World to Her Rodeo With ‘Cowboy Carter’: Stream It Now

The second act of Queen Bey's "Renaissance" trilogy is now here.

Beyoncé 'COWBOY CARTER'

Beyoncé 'COWBOY CARTER'

Blair Caldwell

There’s a new sheriff in town, and her name is Cowboy Carter. On Friday (Mach 29), Beyoncé finally unleashed her eighth solo studio album in its entirety.

The Grammy winner first introduced her Cowboy Carter era with a pair of country singles — “16 Carriages” and Billboard Hot 100 chart-topper “Texas Hold ‘Em” — released during the 2024 Super Bowl. While both singles are undoubtedly country tracks, they were mere teases of the sonic odyssey Queen Bey embarks upon throughout her new LP. One thing is for certain: she wasn’t lying when she said, “This ain’t a country album. This is a Beyoncé album!”


advertisement

With assists from a star-studded cast of collaborators — including Miley Cyrus, Post Malone, Dolly Parton, Willie Nelson, Linda Martell, Tanner Adell, Willie Jones, Raphael Saadiq, The-Dream, Shaboozey and more — Beyoncé spends the 27-track record staking her claim across country, funk, hip-hop, rock and more. Formatted in the style of radio program, several spoken word interludes introduce the album’s different sequences, making for a well-balanced mixture of introspection, humor and fearless exploration.

Cowboy Carter marks the second act of a “three-act project” Beyoncé recorded during the COVID-19 pandemic. The first installment, Renaissance, debuted atop the Billboard 200, helped Beyoncé become the artist with the most Grammy wins in history, housed a pair of Hot 100 top 10 hits in “Break My Soul” (No. 1) and “Cuff It” (No. 6) and spawned a record-breaking tour and accompanying box office-topping documentary concert film.

Although Beyoncé crafted Cowboy Carter as “a continuation of” Renaissance, she did note that the album was inspired by an unsavory event several years ago — likely her controversial performance of “Daddy Lessons” alongside The Chicks (fka The Dixie Chicks) at the 2016 CMA Awards.

Throw on your cowboy hat, secure your belt buckles and dig into Beyoncé’s Cowboy Carter now.

advertisement

This article was first published by Billboard U.S.

advertisement
Shhenseea, MOLIY, Skillibeng and Silent Addy
ACEPXL

Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

keep readingShow less
advertisement