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Concerts

Drake Announces New Album with PartyNextDoor, Live-Debuts 'Wah Gwan Deliluh' in Toronto

As an unannounced guest for the hometown date of PartyNextDoor's Sorry I'm Outside Tour, Drake played a full set of R&B including the live debut of his pseudo-cover of Plain White T's emo-pop ballad.

Drake

Drake

Astral

Drake had some exciting news for his hometown fans on Friday night (August 2) at Budweiser Stage in Toronto.

After surprising the crowd with a full set of R&B songs, he announced that he's working on a new collaborative album with his OVO labelmate PartyNextDoor.


"On behalf of me and Party, we've been working on something for y'all," he announced at the end of the concert. "So, you get the summer over with, you do what you need to do. I know all you girls are outside. When it gets a little chilly, PartyNextDoor and Drake album will be waiting right there for you."

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It was actually PartyNextDoor's concert, not Drake's — the Toronto date of the Mississauga rapper's Sorry I'm Outside Tour — but he ceded the stage to his famous collaborator for nearly a whole hour at the end of his show. PartyNextDoor finished his own set — already a career-spanning show filled with R&B hits and slow-burning deep cuts from a decade of recording — then, after the stage set was changed over, the lights came back on with Drake standing in front of the microphone instead of him.

"I'm here tonight as a thank you," he said, "to each and every one of you for all your years of unwavering support."

While shouting out Toronto is always good for a cheap pop from his local fans, Drake's words felt genuine at this show. At a time when Kendrick Lamar's ubiquitous diss track "Not Like Us" is contending for the song of the summer and even longtime friends are throwing their support behind it, it makes sense for Drake to do something special for the fans who've stood by him the most.

He said he had never done a full show of just R&B songs before, but he has more than enough to fill a strong setlist. He stuck mostly to one register: Drake with the melodies.

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He nodded to Caribbean Carnival happening this weekend in Toronto with his Caribana '99 tank top. That's usually the weekend he puts on OVO Fest, but this was a little different than that yearly triumphant special-guest fest. Instead, it was a set filled with deeper cuts he rarely performs and one he debuted live for the first time.

He started with "Sweeterman," the smooth 2015 remix of Mississauga artist RamRiddlz that he hasn't played in years. Then came the first live performance of "Wah Gwan Deliluh." It was definitely a surprise. When Drake jumped on Snowd4y's viral patois-laden cover of Plain White T's emo-pop ballad "Hey There Deliluh," it was so divisive and strange that many people couldn't figure out if it was really him or an AI deepfake. On this night, it was definitely him singing, and the crowd loved it.

Drake went back into his discography for "Practice" from Take Care and "Connect" from Nothing Was The Same, then got newer with "Finesse," "Pipe Down" and "Redemption" — lower-key favourites from albums like Scorpion, Views and Certified Lover Boy. He brought up another OVO artist, Roy Woods, to play "Drama," their vibey 2015 song.

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Then, he brought back PartyNextDoor for a few collaborative songs, including the PND hit "Come and See Me." Drake offered a lot of praise for him. He called him "the King of R&B" and his favourite R&B singer of all time, crediting him for inspiring him and "changing my life and changing my sound." He even shouted out PartyNextDoor's parents, who were in the audience.

With a collaborative album with PartyNextDoor on the horizon, we could hear a lot more of Drake's softer side soon.

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Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

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