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FYI

The Weeknd Has This Week's No. 1 Album

The Weeknd’s After Hours spends its second straight week, and sixth week overall, at number one on the Billboard Canadian Albums chart, with 4,000 total consumption units.

The Weeknd Has This Week's No. 1 Album

By FYI Staff

The Weeknd’s After Hours spends its second straight week, and sixth week overall, at number one on the Billboard Canadian Albums chart, with 4,000 total consumption units. It is the longest-running chart-topping album by a Canadian artist since his 2016 release, Starboy, spent seven non-consecutive weeks at No. 1.


Harry Styles’ Fine Line jumps 4-2, the highest position the album has reached since its second week on the chart in late December 2019.

DaBaby’s Blame It On Baby remains at No. 3 for the third straight week, once again scoring the highest on-demand stream total for the week.

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Drake’s Dark Lane Demo Tapes and Post Malone’s Hollywood’s Bleeding both move up one position, to Nos. 4 and 5 respectively.

Sparked by Canada Day on July 1st, The Tragically Hip’s best-of collection Yer Favourites bullets 23-9 with a 40% consumption increase. It is the album’s highest chart position since it was No. 5 in mid-November 2017.

This week’s top debut belongs to CanCountry singer Tenille Townes’ The Lemonade Stand, at 26. It is her highest-charting album to date, surpassing the No. 91 peak in February of her EP Road to the Lemonade Stand.

Another Canadian artist, Corb Lund, debuts at 31, with Agricultural Tragic achieving the highest album sales total for the week. It is his first full-length album release since 2015’s Things That Can’t Be Undone peaked at No. 8.

Haim’s Women in Music Pt III enters at 37, their first charted album since 2017’s Something To Tell You reached No. 11.

Other new entries include Quebec singer Alicia Moffet’s debut album, Billie Ave., debuting at 39;

6lack’s 6pc Hot EP, at 50, and Quebec chanteuse Klo Pelgag’s Notre-Dame-Des-Sept-Douleur, at 55.

- All data courtesy of SoundScan with additional detail provided by Nielsen Canada Director Paul Tuch.

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Tate McRae photographed by Heather Hazzan on February 20, 2026 in New York. Motion Stills by Grayson Kohs. Styling by Chloe & Chenelle. Hair by Joey George at Streeters. Makeup by Kennedy at Streeters. Manicure by Juan Alvear. Saint Laurent by Anthony Vaccarello jacket and shoes.
Tate McRae photographed by Heather Hazzan on February 20, 2026 in New York. Motion Stills by Grayson Kohs. Styling by Chloe & Chenelle. Hair by Joey George at Streeters. Makeup by Kennedy at Streeters. Manicure by Juan Alvear. Saint Laurent by Anthony Vaccarello jacket and shoes.
Awards

How Tate McRae Leveled Up To Main Pop Girl Status

Billboard's Women in Music Hitmaker is known for her stunning performances — but her pen has always been her secret weapon, and it's yielding pop bangers.

Before there was Tate McRae, ultra-polished pop performer, there was Tate McRae, preteen from Calgary, Alberta, writing songs at home and uploading them to YouTube.

And while McRae’s high-caliber, intricately choreographed performances and visually striking, maximalist music videos have arguably become the focal points of her public image today (manifesting in a fierce alter ego she calls Tatiana), it’s her other side that Billboard is honoring as this year’s Women in Music Hitmaker — the one who used to take solace in crafting lyrics to sing not in front of more than 10,000 screaming fans but alone in her bedroom. The 22-year-old’s underappreciated pen is just as lethal as her performance capabilities. After a modest debut in the familiar lane of Gen Z pop melancholia — making her first Billboard Hot 100 appearance in 2020 with “You Broke Me First” — McRae enlisted fellow hit-makers Ryan Tedder and Amy Allen to help craft pristine, radio-­friendly pop bangers that she could actually move to, tapping into her upbringing as a competitive dancer onstage and channeling past pop icons such as Britney Spears (to whom she’s now ­frequently compared).

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