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SOCAN Delivers Record Royalties to Members

In sync with the organization's annual general meeting in Vancouver on Tuesday, SOCAN announced final financial results for 2018, confirming another record year for royalties earned by its more tha

SOCAN Delivers Record Royalties to Members

By External Source

In sync with the organization's annual general meeting in Vancouver on Tuesday, SOCAN announced final financial results for 2018, confirming another record year for royalties earned by its more than 160,000 member songwriters, composers, music publishers, and visual artists.


The largest organization in the Canadian music ecosystem attracted and distributed record amounts to more members than ever but cautioned that more must be done to ensure that all rightsholders receive a more equitable share of rapidly growing revenues from digital uses of music.

Significant SOCAN results achieved in 2018:

  • A record $320m distributed to SOCAN members – an 8% increase over the previous year.

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  • $375m in total collections – an 11% increase compared with 2017.

  • Domestic collections at an all-time high of $286m – 9% more than 2017.

  • A 15% year-over-year increase in royalties from outside of Canada ($87m), again the top revenue stream for SOCAN members.

  • Even with a substantially more complex environment and investments in technology to keep SOCAN ahead of the digital curve, SOCAN was able to operate with a 12.6% net expense ratio.

  • A 29% increase in revenue from digital sources ($63m).

"The popularity of music streaming continues to increase, but a SOCAN member who received royalties in 2018 on average took in only $54 from digital sources," said SOCAN CEO Eric Baptiste in a media release. "Digital platforms are reaping massive value on the backs of music creators and publishers. SOCAN will continue to fight for more equitable and fair compensation for rightsholders as this part of the industry matures."

Among the points of discussion at the AGM were SOCAN's member advocacy accomplishments with the federal government. Several recommendations were included in the recent Standing Committee on Canadian Heritage "Shifting Paradigms" report, including:

  • Extending the term of copyright protection to the creator's lifetime plus 70 years.

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  • Regulation and clarification of the "charitable exemption" clause for businesses using music.

  • Updating the private copying regime to be technologically neutral.

  • Remuneration for visual artists when their copyright works are re-sold.

  • A more level playing field for rightsholders across all platforms.

SOCAN's 2018 annual report and complete financial statement are available at socanannualreport.ca.

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Mariah Carey kicks off the 2025 holiday season.
Courtesy Photo

Mariah Carey kicks off the 2025 holiday season.

Pop

In This Season of Giving, Mariah Carey Shares Throwback Clip From 1994 Manifesting a Potential Christmas Classic One Day: ‘So Grateful’

MC only had to wait 25 years for her all-time holiday classic "All I Want For Christmas Is You" to hit No. 1 on the Billboard Hot 100.

Mariah Carey is the undisputed Queen of Christmas. The pop singer has lorded over the holiday charts for the past six years with her ubiquitous wintertime classic “All I Want For Christmas Is You.” It seems hard to believe it now if you’ve been anywhere near a store since Halloween, but the yuletide favorite that was released in 1994 did not chart until 2000 and did not hit No. 1 on the Billboard Hot 100 until 2019, fully 25 years after it first hit our ears.

Now, as the holidays really ramp up, the best-selling Christmas song of all time in the U.S. seems like a no-brainer to top the charts every year. But on Tuesday (Dec. 9), MC gave thanks for how it all started in a throwback video she re-posted from a fan feed of an interview she did in 1994 in which she was asked if she hopes one of the songs from her first holiday album, that year’s Merry Christmas, might some day be as ubiquitous as such standards as “White Christmas” or “Rockin’ Around the Christmas Tree.”

This article was first published by Billboard U.S.
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