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FYI

A Podcast Conversation With ... Randy Brecker

There have been few moments when trumpeter Randy Brecker and his late brother Michael haven’t occupied our lives somehow.

A Podcast Conversation With ... Randy Brecker

By Bill King

There have been few moments when trumpeter Randy Brecker and his late brother Michael haven’t occupied our lives somehow. From Randy and the original Blood Sweat & Tears to Michael’s epic saxophone solo on the Average White Band’s Pick Up the Pieces. Randy has participated on hundreds of recordings from James Taylor, Bruce Springsteen and Parliament/Funkadelic to Frank Sinatra, Steely Dan, Jaco Pastorius, and Frank Zappa.


I recall Randy scurrying around Greenwich Village with a horn under his arm and returning to 21 Jones Street late evenings. A player’s paradise. The Café Wha? The Bitter End, The Café Au Go Go, the many park concerts in Tompkins Square, the jam sessions uptown at Steve Paul’s Scene, and for me, the original version of Blood Sweat & Tears at the Anderson Theatre. A four-piece fronted by keyboardist Al Kooper. I remember the occasion and what was rattling my brain. In my assessment, the unit needed a substantial singer. This person ain’t cutting it. That singer came along—an amalgam of Ray Charles and Wayne Cochran, a blue-eyed soul warrior in Canadian David Clayton-Thomas. A voice suited to hit radio, still straddling the line between street and stage. The guy had cred.

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Brecker came by our house on Helena Avenue in July 2000 for a sit-down interview destined for Jazz Report Magazine. The recorded cassette tape sat in limbo for 22 years until technology solved a substantial issue. Brecker was on audiotape, loud and clear, and me, just a wisp. I forgot to plug in a second microphone. Let there be joy; the fix is in. With advances in technology, I’m alive on tape. The interview is a historical document of a gifted musician, his bands, and his position as a sideman with jazz greats Horace Silver and Art Blakely. But first, up, Randy playing the Top of the Senator on Victoria Street, Toronto—the music, the band – then Blood Sweat & Tears, Horace Silver, his first band with brother Michael—Dreams – his solo debut on Solid State, and a second killer band—The Brecker Brothers on Arista Records. This is where we start today on this May's FYIMUSICNEWS.ca feature podcast.

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Dan Hawie
Courtesy Photo

Dan Hawie

Record Labels

Dan Hawie Promoted to Managing Director of Last Gang Records by MNRK Music Group

Formerly with Dine Alone Records and Nevado Records, the Toronto-based label exec joined Last Gang in 2017 where he served as director of marketing and A&R.

MNRK Music Group has announced the promotion of Dan Hawie to managing director of Last Gang Records. Effective immediately, Hawie will oversee Last Gang’s finances and assume expanded leadership across A&R and brand strategy. Based in Toronto, he will report to Randy Derebegian, vp of artist development, and Chris Moncada, coo of MNRK Music Group.

"I’m incredibly honoured to carry the legacy of Last Gang forward," Hawie says. "Twenty-one years in, our ‘Us Against The World’ mentality continues to fuel everything we do. Foundational artists like Death From Above 1979, Metric, and Mother Mother are still shaping culture today, while our new guard, including Bella Poarch, Ho99o9, Loving, and Mondo Cozmo, continues to push boundaries and move the culture forward. I’m grateful to help preserve that independent spirit, and especially proud to champion such incredible art with the same passion and belief as the artists creating it.”

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