advertisement
FYI

Music Biz Headlines, Sept. 10, 2018

Robots are influencing the music industry, Macca plays a secret show at Grand Central Station, and Nicki Minaj and Cardi B duke it out. Others in the headlines include Avril Lavigne, Terra Lightfoot, Justin Trudeau, Haim, Ron Mann, Steve Perry, Courtney Barnett, Mutek Montreal, Eminem, and Elizabeth Fraser.

Music Biz Headlines, Sept. 10, 2018

By Kerry Doole

Rise of the Robots: How AI is changing the music world

In the music world, AI is fundamentally changing not just how we listen to music, but how music is made and even how the music industry operates. And as all tech does, AI is evolving at such a radical pace that, frankly, we can only speculate about its long-term impacts. – Michael Raine, Canadian Musician


Paul McCartney’s Grand Central surprise

On the scene at the Beatle’s secret performance in a New York City landmark.  – Simon Vozick-Levinson, Rolling Stone

Cardi B left injured after trying to fight Nicki Minaj at New York Fashion Week party

The feud between Nicki Minaj and Cardi B just turned physical. On Friday night, the rappers got into a fight at the Harper’s Bazaar ICONS party that left Cardi bruised. The bash was part of the festivities for New York Fashion Week. – People

advertisement

Avril Lavigne announces new music in emotional open letter

Avril Lavigne announced her first album in five years as she opened up on her battle with a debilitating illness. – Keiran Southern, The Independent

Terra Lightfoot is thrilled by spot in Willie Nelson’s fest

The hard-working Hamilton rocker is featured alongside the country music icon on the Outlaw Music Festival. – Ben Rayner, The Toronto Star

Steve Perry walked away from Journey. A promise finally ended his silence.

On Feb. 1, 1987, Steve Perry performed his final show with Journey. In October, he’s returning with a solo album, “Traces,” that breaks 20 years of radio silence. – Alex Pappademas, NY Times

Playing culture card is good politics for Trudeau

Justin Trudeau says he won’t sign a new NAFTA deal unless it keeps protection for Canadian media and culture.  –  Thomas Walkom, Toronto Star

Haim played a surprise show at TIFF

The sisterly Los Angeles pop-rock trio kicked off the film festival in quirky style, trying their best to cut through the private party pretension. –  Richard Trapunski, NOW

Courtney Barnett review – a rock-star welcome for her biggest hometown show

Ahead of an enormous global tour, the Melbourne artist brought light, shade and local love to the crowd at Festy Hall. – Sarah Smith, The Guardian

Toronto electronic artists made their move at Mutek Montreal 2018

Korea Town Acid and Edna King brought their A-game to Montreal, making their debuts on one of Canada's largest electronic music stages. – Michelle de Silva, NOW

advertisement

Eminem breaks 36-year-old UK chart record for most consecutive No 1 albums

The record held by Abba and Led Zeppelin is broken by the Detroit rapper, who also scores three tracks in the UK singles chart. – Ben Thomas, The Guardian

TIFF 2018: Canadian ‘cultural historian’ Ron Mann vs the times

Acclaimed Canadian documentary filmmaker Ron Mann's latest film, Carmine String Guitars, profiles the famous guitar shop in New York's Greenwich Village. –  Brad Wheeler, Globe and Mail

Cocteau Twins singer Elizabeth Fraser makes a rare live appearance in London

The other worldly voice of Cocteau Twins performed a rare gig in London last Monday night. Fraser has been elusive these days, having performed live just a handful of times since the band’s demise over 20 years ago. – PostPunk.com

How I stopped worrying and learned to love pop music: An excerpt from Anne T. Donahue’s Nobody Cares

When do musical tastes become a marker of personality – and when do we stop caring what, exactly, anyone else might think about that? In her new collection of essays, Nobody Cares, writer Anne T. Donahue explores this question and other modern cultural quandaries.  – Globe and Mail

advertisement
Shhenseea, MOLIY, Skillibeng and Silent Addy
ACEPXL

Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

keep readingShow less
advertisement