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Media Beat: August 31, 2018

By David Farrell

CRTC demands Bell, Corus spend more money on CanCon

Made-in-Canada dramas, documentaries and award shows will be guaranteed more funding after the federal broadcast regulator bent to intense pressure from creative groups and the federal government.


The Canadian Radio-television and Telecommunications Commission announced Thursday that large television groups must spend a larger proportion of their revenue on Canadian content production to renew their broadcast licences.

As of Sept. 1, Bell Media Inc., Corus Entertainment Inc. and Rogers Communications Inc. must spend 7.5 per cent, 8.5 per cent and five per cent, respectively, of their previous years’ revenue on programs of national interest. – Emily Jackson, Financial Post

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Global News earns murky distinction in news report

The Multi-Market Content operation is an ingenious idea. How it works is fairly simple. A 30-minute newscast usually consists of three segments, called blocks. The first 10-or-so minutes is the A-block. This is where you find local news — car crashes and kidnappings. The B-block, occupying the middle third of the cast, is generally filled with a mix of national and international news. The feel-good end piece, the C-block, is populated by an ever-so-slightly narcotized weather report, plus an outrageously saccharine kicker story — examples include a birthday party for a 100-year-old turtle and a woman who has decorated her house with thousands of cat statues.

As you would expect, the Winnipeg news would traditionally be broadcast out of Winnipeg, Toronto out of the Big Smoke, Regina’s straight from the heart of the Queen City. But not in the bold, new world of MMC. In the MMC model, working in what I would describe as a news sweatshop, massively overworked producers often handle three cities’ worth of news at the same time. – Paul Tadich, CanadaLand

More bad news from Jazz.FM

A former morning host of JAZZ.FM91 is suing the troubled not-for-profit Toronto radio station, alleging she was bullied for years by its former president and CEO, Ross Porter, and then constructively dismissed last spring after joining others in complaining about his alleged misconduct.

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The move comes days before the station’s annual general meeting on Friday morning when disenchanted member-supporters are expected to challenge the charity’s board about the turmoil that erupted on its watch earlier this year.

In a statement of claim filed Tuesday afternoon with the Ontario Superior Court of Justice, Garvia Bailey, who hosted JAZZ.FM91’s marquee show Good Morning Toronto from September, 2014, until April, 2018, is seeking $420,000, including one year’s salary of $90,000 for wrongful dismissal. – Simon Houpt, Globe & Mail

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Courtesy Photo

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FYI

Music News Digest: Calgary's Sled Island Announces 2026 Lineup, An All-Star Tribute to Dave Bookman in Toronto

Also this week: SOCAN elects its new board of directors, Headwater Music Group partners with ADA Canada to support blues-rock artist Jimi, Miranda Mulholland's Muskoka Music Festival turns 10 and more.

The musically adventurous Calgary music festival Sled Island has just announced its full lineup. New additions include hyperpop rapper Lil Mariko (in her Canadian debut), illuminati hotties, alt-rock group Palehound, Indigenous electronic cello ensemble Cris Derksen Quartet, noisy Midwest slowcore outfit Flooding, Canadian indie rock project Fanclubwallet, mask-wearing thrash punks TEAR DUNGEON, genre-bending post-punk artist J.R.C.G., New Mexico-based pop-punk band Weedrat, and the final two guest curator selections: experimental musique concrète project Cooling Prongs, and Nigerian‑American pianist Sharon Udoh (who will also be joining fest curators clipping. for their performance at The Palace Theatre on June 20).

Emerging acts joining this year’s lineup include award-winning Plains Cree hip-hop artist Drezus, Winnipeg indie rockers Virgo Rising, Whitehorse-based “gateway metal” duo FRANKLIN, ambient pedal steel performer Wayne Patrick Garrett, dance-inspired electronic artist Eejungmi, San Francisco experimental pop project Tricky FM, Toronto-based art rockers Kali Horse, high-energy cow-punk ensemble Spank Williams, post-hardcore powerhouse Midnight Peg, operatic post-punk four-piece Shunk and many, many more. There'll also be comedy acts, a drag brunch, DJ sets and an art exhibit, plus conference panels in the Central Library on June 19. Passes and tickets are on sale now here.

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