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FYI

The Magic Is Back For Magic!: 'Kiss Me' Ranked Top Add For 3rd Week

The Toronto reggae-influenced pop band is on a roll with its latest single that has become a genuine comeback hit. Hey Ocean!, Dallas Smith, Tebey and Shad are also winning strong support from radio nationwide.

The Magic Is Back For Magic!: 'Kiss Me' Ranked Top Add For 3rd Week

By FYI Staff

The following are tracks delivered to radio by digital distributor DMDS/Yangaroo in Canada and broken down into two categories. Top Downloads represents the most copied tracks in the week ending July 27, and the Most Active Indies blends downloads and streams, with the affiliated label and radio promotions company in parenthesis.

Top Downloads

  1. Magic! “Kiss Me” (RCA/Sony)

  2. Muse “Something Human” (Warner)

  3. Hey Ocean! “Mama Said” (Pop Machine/Canvas Promo)

  4. Slash f. Myles Kennedy & The Conspirators “Driving Rain” (Warner)

  5. Dallas Smith “Make ‘Em Like You” (604/A. Wilson Promo)

  6. Tebey “Who’s Gonna Love You” (Road Angel)

  7. Charlie Puth “The Way I Am” (Warner)

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  8. Ashley McBryde “Radioland” (Warner)

  9. Jules “Before You Picked Her” (It’s Jules/RPMpromo)

  10. The Chainsmokers f. Emily Warren “Side Effects” (Columbia/Sony)

Most Active Indies

  1. Hey Ocean! “Mama Said” (Pop Machine/Canvas Promo)

  2. Dallas Smith “Make ‘Em Like You” (604/A. Wilson Promo)

  3. Tebey “Who’s Gonna Love You” (Road Angel)

  4. Shad “The Fool Pt. 1 (Get It Got It Good)” (Secret City/Canvas Promo)

  5. The Blues Stones “Black Holes (Solid Ground)” (eOne)

  6. Massari f. Beenie Man & Afrojack “Tune In” (Sal&Co/DMD Promo)

  7. Justin Tyler “Crazy” (ALTR/Principle Projects)

  8. Rosemary & The Sweet Sound Revival “Heavenly Harvest” (Plum Coulee)

  9. Scotty Kipfer “Taking My Time” (Indie/B. Martineau Promo)

  10. Bruce Worthington “Shook” (Indie/L. Tutty Promo)

MAGIC!
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Angine de Poitrine at Mod Club in Toronto on July 14, 2026.

Angine de Poitrine Make Their Much-Anticipated Toronto Debut

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Amber Still, executive director of the Polaris Music Prize
Johanna Stickland

Amber Still, executive director of the Polaris Music Prize

Awards

‘Protect the Prize’: The Polaris Music Prize Undergoes Its Biggest Period of Change

Now entering its third decade, the Canadian critic’s prize has expanded its voting pool, adjusted to financial constraints and begun awarding both albums and songs. After years defined by its refined focus, the changes mark a major expansion of the organization’s mission.

In 2025, the Polaris Music Prize celebrated its 20th anniversary. Entering its third decade, the award is undergoing what might be its biggest period of change. From funding to voting process, the organization is continuing to evolve.

The cultural not-for-profit organization has spent the better part of two decades creating a space in the industry for Canadian acts to be recognized based solely artistic merit, rather than sales, genre or support from a record label. Founded in the 2000s as Canada's answer to the Mercury Prize, the organization became a registered Canadian charity in 2017.

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