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FYI

Jonas Brothers Return With A No. 1 Album

Jonas Brothers’ Happiness Begins debuts at No.

Jonas Brothers Return With A No. 1 Album

By FYI Staff

Jonas Brothers’ Happiness Begins debuts at No. 1 on the Billboard Canadian Albums chart, with 36,000 total consumption units, and achieves the highest album sales, second highest audio-on-demand streams and third highest digital song download totals for the week. It is the group’s third chart-topping album and first since Lines, Vines and Trying Times hit No. 1 in 2009.


Avicii’s posthumous album Tim rockets 31-3 with a 213% consumption increase. It is his third top three album and first since Stories peaked at No. 3 in October 2015.

Luke Combs’ EP, The Prequel, debuts at 4. It is his highest charting release to date, surpassing the No. 10 peak of his debut album This One’s for You.

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Lady Gaga & Bradley Cooper’s A Star Is Born soundtrack returns to the top ten, moving 14-6 with a 30% consumption increase.

Tyga’s Legendary debuts at 7. It is his second top ten album and first since Careless World: Rise of The Last King peaked at 6 in 2012.

Other new entries in the top 50 include Chicago rapper Polo G’s debut album Die A Legend, at 8, Santana’s Africa Speaks, at 12, Future’s Save Me, at 27, and Detroit rapper Tee Grizzley’s Scriptures, at No. 43.

Lil Nas X’s Old Town Road spends its 10th week at No. 1 on the Streaming Songs chart and for the 8th week on the Digital Songs chart.

-- All data courtesy of SoundScan with additional commentary provided by Nielsen Canada director Paul Tuch.

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Aaron Rowe performs at Spark Arena on Dec. 2, 2025, in Auckland, New Zealand.
Dave Simpson/WireImage

Aaron Rowe performs at Spark Arena on Dec. 2, 2025, in Auckland, New Zealand.

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Former Ed Sheeran Opener Aaron Rowe Defends Singer Amid Macklemore Tour Fallout

"I haven't had a chance to talk to Ed too much, but I fully believe he knows that was a mistake," Rowe said.

Aaron Rowe has defended Ed Sheeran amid the continuing fallout over Macklemore’s removal from the singer’s Loop Tour, arguing that public criticism is being directed at the wrong person.

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