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FYI

J Cole Has This Week's Top Album, But Shaggy & Sting, And Donovan Woods Place Well, Too

J. Cole has his second No. 1 album in Canada with KOD, Avicii's death triggers three top 40 re-entries, Shaggy and Sting's irrepressibly buoyant partnership makes the top 20, and  Donovan Wood's return lands at 42.

J Cole Has This Week's Top Album, But Shaggy & Sting, And Donovan Woods Place Well, Too

By FYI Staff

J. Cole’s KOD debuts at number one on the Billboard Canadian Albums chart with over 21,000 total consumption units, the highest one-week total so far in 2018. The album also garnered the highest sales total and the highest on-demand stream total for the week. With 20.5 million streams, it is the fifth highest one-week total to date, only surpassed by Drake’s More Life, The Weeknd’s Starboy and Kendrick Lamar’s Damn. This is his second straight chart-topping album, following 2016’s 4 Your Eyez Only.


FYI, Billboard magazine reports that Cole says the album's title has three meanings:  Kids on Drugs, King Overdosed, and Kill Our Demons.

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Maynard James Keenan and Billy Howerdel’s A Perfect Circle’s Eat The Elephant debuts at 3. All four of the band’s albums have reached the top five.

 

 

Three albums from Avicii re-enter the top 200 following his passing on April 20th. His 2013 album True, which peaked at 2, re-enters at 12, while 2015’s Stories lands at 25 and 2017’s Avici (01) comes in at 35.

Other debuts in the top 50 include Sting & Shaggy’s 44/876, at 19; The Chainsmokers’ Sick Boy, at 20; Brothers Osborne’s Port Saint Joe, at 30; Lord Huron’s Vide Noir, at 40, and Donovan Woods’ Both Ways at 42.

 

 

 

 

Ariana Grande’s “No Tears Left To Cry” debuts at No. 1 on the Digital Songs chart, making it her third chart-topping song and first since “Bang Bang” in 2014. “Tears” also enters the Streaming Songs chart at 2.

All data courtesy of SoundScan with additional colour commentary provided by Nielsen Music Canada Director, Paul Tuch.

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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