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Fantavious Fritz Wins $15K Prism Prize

The Toronto video maker took home the big prize for directing the clip for Charlotte Day Wilson’s music video, “Work.” Other winners on the night included Grimes and Cherie Sinclair.

Fantavious Fritz Wins $15K Prism Prize

By Kerry Doole

Toronto video director Fantavious Fritz is the Grand Prize winner of the 2018 Prism Prize for best Canadian music video for his work on Charlotte Day Wilson’s music video, “Work.” Both director and artist were on hand to accept the Prism Prize trophy and $15,000 award at the Prism Prize Awards Presentation at TIFF Bell Lightbox in Toronto last night.


Four other awards were handed out on the night. The Hi-Fidelity Award, "presented to a Canadian recording artist with a strong visual identity in music video art," went to Grimes, who recorded an appreciative acceptance speech. The Lipsett Award for "an innovative and unique approach to music video art" went to Karena Evans, a director, writer and actor whose career has soared after directing two Drake videos, "God's Plan and "Nice For What."

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The Audience Award winner, chosen by public votes for the Top 20 Prism nominees, went to Keavan Yazdani and Sean Brown, for Daniel Caesar's "Freudian, a Visual."

Presented by Slaight Music, the Special Achievement Award went to industry veteran Cherie Sinclair. This award goes to "a Canadian music video icon for their artistic achievements and exceptional contribution to music video art on a world stage." Founder of prolific production company The Field, Sinclair has produced videos for Bryan Adams, Drake, Tea Party, Moist, Nelly Furtado, Carly Rae Jepsen, and many more.

The Grand Prize was announced at the conclusion of the well-attended and smoothly run two-hour show. Winner Fritz praised the Prism Prize "for allowing this community to continue to grow." He then drew cheers by stating that he and Wilson will donate their winnings to a women's shelter and to the creation of a grant "to help a female video director perfect their craft."

The elephant in the room at the gala was the recent dismantling of MuchFACT, the funding agency that helped support the vast majority of the Prism-nominated clips. Sinclair addressed the situation in thanking MuchFACT, adding "hopefully someone else can step up." Her sentiments were reinforced by last year's grand prize winner, Martin C. Pariseau, on hand to present that trophy last night.

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About

Now in its sixth year, The Prism Prize is the largest cash prize in the world for music videos. The annual award recognizing outstanding artistry in Canadian music videos and is produced by the not-for-profit Association for Music and Innovative Arts.

Plans for the 7th annual Prism Prize will be announced later this year. Prism Prize is proud to host a comprehensive resource for music fans to watch the best Canadian music videos all in one place. Videos and news from Canada’s music video community are available throughout the year at prismprize.com.

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Post Malone, Slash & Duff McKagan Thunder Through Ozzy Osbourne ‘War Pigs’ Tribute at Grammys
Kevin Winter/Getty Images for The Recording Academy

From left, Alex Watt, Duff McKagan, Post Malone, Chad Smith and Slash perform during the 68th GRAMMY Awards at Crypto.com Arena on Feb. 1, 2026, in Los Angeles.

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Post Malone, Slash & Duff McKagan Thunder Through Ozzy Osbourne ‘War Pigs’ Tribute at Grammys

Producer Andrew Watt and Red Hot Chili Peppers drummer Chad Smith also joined to honor the late heavy metal icon.

The Grammy Awards paid tribute to late heavy metal icon Ozzy Osbourne on Sunday (Feb. 1) in fitting fashion, with a hard-rocking performance fronted by some of his late-in-life collaborators, led by Post Malone and Guns N’ Roses guitarist Slash.

With the stage bathed in blood red lights, the homage opened with a doomy instrumental that dove right into 1970s iconic “War Pigs,” with Malone taking on vocal duties, his quavering voice belting out the pointed Vietnam-era lyrics about politicians who start wars for profit and send young soldiers to die in service to their greed and avarice.

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