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FYI

Billboard Changing Charts Calculus

Effective the chart week beginning June 29, greater emphasis is to be given to paid subscription streams in Canada and the US. We have the details you need to know about these important changes.

Billboard  Changing  Charts Calculus

By External Source

Effective the chart week beginning June 29, greater emphasis is to be given to paid subscription streams in Canada and the US, with ad-supported activity remaining an important factor on the Album & Songs charts.


Beginning with the first week of Nielsen’s third quarter of 2018 (sales and streaming week of June 29 to July 5, which will be reflected on Billboard charts dated July 14), plays on paid subscription-based services (such as Apple Music and Amazon Music) or on the paid subscription tiers of hybrid paid/ad-supported platforms (such as Spotify and SoundCloud) will be given more weight in chart calculations than plays on ad-supported services (such as YouTube) or on the non-paid tiers of hybrid paid/ad-supported services.

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Billboard will have multiple weighted tiers of streaming plays for the Hot 100, which take into account paid subscription streams (representing a full point value per play), ad-supported streams

(representing a 2/3-point value per play) and programmed streams (representing a 1/2-point value per play). Those values are then applied to the chart’s formula alongside all-genre radio airplay and digital song sales data. – Continue reading Billboard chart changes here

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Paul Shaver
SoundExchange

Paul Shaver

Business News

Paul Shaver Joins SoundExchange After Stepping Down From CMRRA

Shaver left his role as president of the Canadian Music Reproduction Rights Agency (CMRRA) last week after the company was acquired from SoundExchange by SOCAN . Now he becomes senior vice president of business development at the neighbouring rights organization.

Paul Shaver has landed at SoundExchange.

The veteran Canadian music executive has begun a new chapter with the neighbouring rights organization today (Oct. 1), the same day as the end of his tenure as president of the Canadian Reproduction Rights Music Agency (CMRRA).

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