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2022 Prism Prize Eligible Video: Kandle - Honey Trap

The 2021 Prism Prize for Best Canadian Music Video was recently awarded to Theo Kapodistrias, for his clip for Haviah Mighty’s Thirteen. We will continue to profile noteworthy Canadian videos that are eligible for the 2022 prize, including this one from an acclaimed avant-pop artist.

2022 Prism Prize Eligible Video: Kandle - Honey Trap

By External Source

The 2021 Prism Prize for Best Canadian Music Video was recently awarded to Theo Kapodistrias, for his clip for Haviah Mighty’s Thirteen. We will continue to profile noteworthy Canadian videos that are eligible for the 2022 prize, including this one from an acclaimed avant-pop artist.


Kandle - Honey Trap

Kandle Osborne is a BC-born singer/songwriter. She embodies equal parts cabaret chanteuse and ambitious rock singer while covering a wide range of topics within her music. Kandle discovered her true love of music from listening to the likes of Nancy Sinatra, Billie Holiday, Shirley Bassey, and many more. She draws her inspiration from strong female voices and brings the same energy to her own work. 

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Her single Honey Trap is a sweet, yet seductive tale about breaking free from the sticky power struggle that we know today and is inspired by the liberation from a toxic alliance and the awakenings that follow.

The accompanying video, which was directed by Brandon Fletcher, features actor Keenan Tracey (Bates Motel, The 100) and sees Kandle and band (The Wiccs - Louise Burns, Kendel Carson and Tess Ananda) playing together on a stage. The clip shows us the powerful impact of reclaiming your independence on and off the stage.

"We wanted to create a nod to our favourite noir films of the 40s - and its more modern incarnation of dystopian neo/neon-noir thrillers - entire worlds riddled with deceit, seduction, and crime, all while exploring themes of consent, entitlement, and responsibility," says Fletcher. "All these women 'play the game' without being fully aware of the deeper danger they're in. Throughout the video, a shadowy man exploits them all, coalescing in an unwanted touch - something I think anyone who's been manipulated can relate to - before he walks away with their livelihood."

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Starring Keenan Tracey, Kandle Osborne, Louise Burns, Tess Ananda & Kendel Carson 

Directed & Edited by Brandon William Fletcher 

Directory of Photography: Byron Kopman 

1st AD: Jeffrey Mitchell 

1st AC: Kelvin Wong 

Gaffer: Nick Taillefer 

Key Grip: James Kaliszak 

Makeup by: Katie Macskasy 

Hairdressing by: Tess Ananda 

Rope Artist: Squid Kinks 

Vehicle Provided by: Bob Mai & Robert Huynh 

Equipment Provided by: Alterna Films 

Colour: Dave Tomiak 

Executive Producer: Kandle Osborne 

Produced by Brandon William Fletcher 

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Paul McCartney
Mary McCartney

Paul McCartney

Pop

Paul McCartney Announces Reflective ‘The Boys of Dungeon Lane’ Solo Album, Drops Wistful ‘Days We Left Behind’ Single

The 14-track collection of songs inspired by McCartney's youth and he played the majority of the instruments on it.

Paul McCartney is going back to the start on his upcoming 18th studio album, the nostalgic The Boys of Dungeon Lane. The 14-track collection announced on Thursday morning (March 26) is due out on May 29 through MPL/Capitol Records and is prefaced by the wistful first single, “Days We Left Behind.”

McCartney’s first release since 2020’s McCartney III is described in a press release as a look backward at the former Beatle’s formative years, revisiting those youthful times that “shaped not only his life, but the very foundations of modern popular culture. In a career defined by timeless storytelling and unforgettable characters, Paul now tells the most personal story of all, his own. The Boys of Dungeon Lane is his most introspective album to date and takes the listener back to where it all began.”

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