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FYI

‘Electric Black Man’ Eric Mercury Releases New S/T Song

The Toronto-born songwriter and producer, who performed with ‘60s groups The Pharaohs, Eric Mercury & the Soul Searchers, and Dianne Brooks, before hitting his stride in the US, has teamed up w

‘Electric Black Man’ Eric Mercury Releases New S/T Song

By David Farrell

The Toronto-born songwriter and producer, who performed with ‘60s groups The Pharaohs, Eric Mercury & the Soul Searchers, and Dianne Brooks, before hitting his stride in the US, has teamed up with Montreal composer Anthony Aramouni to release “Bright Eyed Woman.”


Mercury’s first solo album, recorded for Avco Embassy, was Electric Black Man and he followed it with several other releases before finding his niche as a writer, composer, and producer working with artists that include Thelma Houston, Roberta Flack, Donny Hathaway, Dionne Warwick, and Kenny Rankin.

Aramouni, who has had success as a soundtrack composer, is credited as writer and producer of “Bright Eyed Woman,” that features in the 2020 coming-of-age dramedy, Blue Tongues.

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Mercury currently promotes himself as music director for CanWood Entertainment, a diversified production and partnership entity.

The new song's official launch on April 25 coincides with the 50th anniversary of Electric Black Man’s release. Watch the official video for “Bright Eyed Woman” here.

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Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa
Photo by Will Francis on Unsplash
FYI

Music News Digest: CRTC Aims To Fill a Gap for Indigenous Radio in Toronto and Ottawa

Also this week: Sled Island reveals initial lineup curated by clipping., Truro hosts Nova Scotia Music Week and more.

The CRTC recently launched a call for applications for FM radio stations to serve Indigenous communities in Toronto and Ottawa. Broadcast Dialogue reports "the call follows the demise of First Peoples Radio’s ELMNT FM stations, which went off the air on Sept. 1 last year. Launched in the fall of 2018, the stations had a goal to 'fill the gap' for urban Indigenous listeners under-represented in the radio landscape. They carried an 'Indigenous-variety' format, featuring both English and Indigenous-language spoken-word and musical programming, with 25% of the playlist dedicated to Indigenous talent.

In its call, the commission says in its view, "there is a need and a demand for radio stations to serve the needs and interests of those communities."

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