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The Cure Share First New Song in 16 Years, Announce Album Release Date

The goth icons' new record will be released later this year via Capitol Records in the U.S.

Robert Smith of The Cure performs at Riot Fest 2023 at Douglass Park on Sept. 17, 2023 in Chicago.

Robert Smith of The Cure performs at Riot Fest 2023 at Douglass Park on Sept. 17, 2023 in Chicago.

Jason Squires/FilmMagic

The long wait is over: The Cure have released their new song in over 16 years and confirmed the release date for their upcoming 14th album.

“Alone” will appear on the upcoming LP Songs From a Lost World, which is set to be released Nov 1, 2024 via Polydor/Fiction. Listen to the track below.


The track appeared as the opening song on the band’s Shows of a Lost World global tour throughout 2022 and 2023. The album has been long in the making, with its original release dates mooted for 2019. The album’s tracklist will be revealed in the coming weeks on the band’s social media channels.

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Speaking about the song, frontman Robert Smith said that “Alone” was “the track that unlocked the record; as soon as we had that piece of music recorded I knew it was the opening song, and I felt the whole album come into focus.”

He added: “I had been struggling to find the right opening line for the right opening song for a while, working with the simple idea of ‘being alone’, always in the back of my mind this nagging feeling that I already knew what the opening line should be… as soon as we finished recording I remembered the poem Dregs by the English poet Ernest Dowson. That was the moment when I knew the song – and the album – were real.”

Songs From a Lost World was produced by Smith and Paul Corkett, who co-produced The Cure’s 2000 album Bloodflowers. The album features contributions from Smith, Simon Gallup (bass), Jason Cooper (drums), Reeves Gabriel (guitar) and Roger O’Donnell (keyboards). The latter recently announced he’d been diagnosed with rare and “aggressive” blood cancer a year ago, but added that “I’m fine and the prognosis is amazing”.

In recent weeks the band had been teasing the release of Songs From a Lost World to fans via mystery postcards and puzzles. Smith has been revealing details of the LP for many years, and speaking to the Los Angeles Times in 2019, he blamed himself for some of the delays. “I keep going back over and redoing them, which is silly. At some point, I have to say that’s it. It’s very much on the darker side of the spectrum,” Smith added.

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“I lost my mother and my father and my brother recently, and obviously it had an effect on me. It’s not relentlessly doom and gloom. It has soundscapes on it, like Disintegration, I suppose. I was trying to create a big palette, a big wash of sound.”

This article was originally published by Billboard U.S.

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Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

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