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Whitehorse: Sweet Melissa Jean

The ever-prolific and shape-shifting duo returns with another winner, a slow and haunting bonus cut from the acclaimed Panther In The Dollhouse album.

Whitehorse: Sweet Melissa Jean

By Kerry Doole

Whitehorse: Sweet Melissa Jean (Six Shooter Records): The ever-prolific and shape-shifting duo known as Whitehorse returns with another winner.

Sweet Melissa Jean is the third track to complete the set of bonus cuts from the acclaimed 2017 Panther In The Dollhouse album.

The song is slow and stately, with Melissa McClelland's pure and haunting voice accompanied by the familiar resonant and bold twang of Luke Doucet's guitar. The production work of Gus Van Go and Werner F is clean and focused.

A press release aptly calls the cut "Perfect for late, late night backyard summer stargazing and anything by candlelight." The fact that a 'bonus' track is this good speaks volumes about this duo's deep talents.

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On June 15, Whitehorse plays one of its most prestigious gigs yet - Whitehorse Orchestrated with the Toronto Symphony Orchestra, at Roy Thomson Hall.

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Publicity: emilysmart@sixshooterrecords.com

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take
Christopher Polk/Billboard

Bad Bunny performs at Super Bowl LX held at Levi's Stadium on February 08, 2026 in Santa Clara, California.

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Bad Bunny Turns the World Into His Casita With Triumphant Super Bowl LX Halftime Performance: Critic’s Take

The global superstar called for unity without hiding from confrontation in a brilliant, career-defining performance.

Few halftime shows had as much at stake while simultaneously having nothing really to lose than Bad Bunny‘s halftime performance at Super Bowl LX on Sunday (Feb. 8). On the one hand, the gig comes with all eyes on it — minus the likely comparatively small amount of those who tuned in to the alternate Turning Point USA halftime show — after the Puerto Rican superstar’s halftime selection was loudly decried by a select few reactionary pundits who probably couldn’t tell Karol G from Kenny G anyway. On the other hand, Bad Bunny has been on such a winning streak in just about every way possible over the past 13 months — including most literally at the Grammys last Sunday — that his gig on the world’s biggest stage came at a time when it really couldn’t do anything but further confirm his status as one of the world’s most globally dominating and beloved superstars.

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