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FYI

Stephen Stanley Sees Hope In Initiatives Like Music City

I'm an optimist though, so I hope that through initiatives like Music City, there will be a new focus on the importance of the small music venue as a building block for a vibrant music and cultural scene. Songwriters, bands, artists... they don't just fall out of the sky into Massey Hall, they need lots of places to grow.

Stephen Stanley Sees Hope In Initiatives Like Music City

By External Source

I think the current state of the bar scene is fact more than opinion. It's difficult, likely too difficult. You try and run a small room where your only revenue stream is alcohol, and that's a tough go.


You may get a nice full room on the weekend, but you need full rooms throughout the week to make up for the city's radical rise in storefront rentals, and the trend seems to be that people are drinking less. Then add in laws that allow one angry person who moves into your neighbourhood and decides that your venue is too noisy, to tie you up with court and other legal fees for years. You have a recipe for throwing in the towel. This has happened to more than one barkeep that I know.

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I'm an optimist though, so I hope that through initiatives like Music City, there will be a new focus on the importance of the small music venue as a building block for a vibrant music and cultural scene. Songwriters, bands, artists... they don't just fall out of the sky into Massey Hall, they need lots of places to grow.

– Stephen Stanley, in an interview with Jason Schneider, as published in FYIMusicNews

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Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​
FYI

Executive of the Week: Justin West of Secret City Records on the Secrets of Independent Music Success​

The man behind one of Canada's most successful indie labels talks about the late-blooming success of French-language streaming record-holder Patrick Watson, why he builds long-term relationships with artists, and why it's important for the indie sector to work together.

Justin West is a leader and advocate in Canada’s independent music scene, but he didn’t plan it out that way. When he started his record label Secret City Records in Montreal in the mid-2000s, it was out of necessity. He had met an artist he loved and wanted to build a career with, and the label was a means to do it. That artist was Patrick Watson, and 20 years later he — and Secret City — are more successful than ever.

West — a multiple time Billboard Canada Power Player – leads one of the biggest indie labels in Canada while also advocating for the sector on multiple boards both locally and internationally. When we speak to him for this Executive of the Week interview, he’s just returned from Banff for the National Summit on Artificial Intelligence and Culture, and is a central figure in discussions around the Online Streaming Act and collective negotiations with online streaming platforms.

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