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Prism Prize Video - The Beaches: Snake Tongue

The 2019 Prism Prize for Best Canadian Music Video was awarded to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile noteworthy Canadian videos, including this one from a popular Toronto female rock band.

Prism Prize Video - The Beaches: Snake Tongue

By External Source

The 2019 Prism Prize for Best Canadian Music Video was awarded to Kevan Funk, for his clip for Belle Game’s Low. We will continue to profile noteworthy Canadian videos, including this one from a popular Toronto female rock band.


The Beaches: Snake Tongue

Juno-nominated band The Beaches are an edgy rock group from Toronto starring Jordan Miller, Kylie Miller, Eliza Enman-McDaniel, and Leandra Earl. Their single Snake Tongue shows what it means to let go of the unwanted, in this case by lighting it on fire.

Jordan Miller said in an interview, "I wrote Snake Tongue about our own experiences, but hope that it empowers women who are constantly on the receiving end of unwanted attention to take back some control in small but meaningful ways." 

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A unique aspect of this video is that there is a vertical version to watch on a mobile device. Snake Tongue is off the 2019 EP The Professional. 


Directed by: Ally Pankiw

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Charlotte Cardin
Fred Gervais

Charlotte Cardin

Pop

Charlotte Cardin Unveils New Album 'Midnight, Mon Amour' with English and French Versions of 'Memories'

The Montreal-born singer's third studio album, which she describes as a "shadow album," is out on January 29, 2027. It explores duality, including the latest single, with different videos for each version of the track.

Charlotte Cardin's new era is upon us.

Today (Oct. 13), the Quebec-born pop singer unveiled her third studio album Midnight, mon amour, out January 29, 2027, and its album cover on Instagram. The black-and-white artwork features a close-up of Cardin and a colour contrast that reflects the album's themes of tension and duality across topics like day and night, womanhood and the parts of oneself that are hidden from others. Digging into this idea of the hidden, Cardin calls the LP a "shadow album," one that explores shameful fantasies, private desires and the flaws that people withhold from the public.

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