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FYI

Pop Smoke Stays Hot Atop The Charts

The late rapper (pictured) continues his stay on the charts throne, followed by Juice WRLD and Taylor Swift. YoungBoy Never Broke Again has the top new entry.

Pop Smoke Stays Hot Atop The Charts

By FYI Staff

Pop Smoke’s Shoot For The Stars Aim For The Moon remains at number one on the Billboard Canadian Albums chart for the seventh non-consecutive week, with 9,200 total consumption units, scoring the highest on-demand stream total for the week. It has spent the most weeks at the top of the chart so far in 2020 and moves to No. 3 on the year-to-date consumption chart, only behind Canadian artists The Weeknd and Justin Bieber.


Juice WRLD’s Legends Never Die holds at No. 2 and Taylor Swift’s folklore edges 4-3.

The top new entry this week belongs to YoungBoy Never Broke Again’s Top at No. 4. It is his highest-charting album to date, surpassing the No. 11 peak of 2019’s AI YoungBoy 2. It is his third album to chart in 2020, following the No. 22 Still Flexin, Still Steppin and the No. 24 38 Baby 2.

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Internet Money’s B4 The Storm jumps 8-5 in its third week of release, its highest chart position to date.

The only other new entry in the top 50 belongs to Marilyn Manson’s We Are Chaos at No. 8, scoring the highest album sales total for the week. It is his tenth top ten album and first release since October 2017 when Heaven Upside Down peaked at No. 4.

– All data courtesy of SoundScan with additional detail provided by MRC’s Paul Tuch.

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MF DOOM & Madlib Release ‘One Beer’ Remix as ‘Mm..Food’ Turns 20
Rb Hip Hop

MF DOOM & Madlib Release ‘One Beer’ Remix as ‘Mm..Food’ Turns 20

The remix will appear on the classic album's 20th anniversary reissue.

The mad villains have linked up once again.

Madlib, the MF DOOM estate, Stones Throw Records, and Rhymesayers Entertainment have released “One Beer (Madlib Remix)” to celebrate the 20th anniversary of the late rapper and producer’s fifth solo album MM..FOOD. The version featured on the album is also produced by Madlib, but was credited to DOOM. The song was supposed to make their seminal work Madvillainy, also from 2004, but they felt it didn’t fit the vibes.

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