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OAB Town Hall Discusses Radio's Changing Audiences

The following is provided by Janik Media President Liz Janik who a great many will remember from her days on-air at CFNY, and as a consultant at Joint

OAB Town Hall Discusses Radio's Changing Audiences

By External Source

The following is provided by Janik Media President Liz Janik who a great many will remember from her days on-air at CFNY, and as a consultant at Joint Communications.  She is also a Rosalie Award winner, celebrating her longstanding commitment to radio in Canada. You can find out more about her career highlights here.


This year’s town hall was lively and more candid than usual. The conversation was masterfully directed by “radio futurologist” James Cridland and covered a range of the issues facing radio. Panelists were Sherry O'Neil, Director, cairns oneil strategic media inc.; Chris Pearson, President, Acadia Broadcasting Limited; Geoff Poulton, President, Vista Radio; Troy Reeb, SVP, News, Radio & Station Operations, Corus Entertainment; and Susan Wheeler, Vice President, Regulatory Media, Rogers Communications Inc.,

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The emphasis throughout the day at the OAB kept circling back to how listeners’ tuning habits are changing, given the wide variety of listening platforms available, including Podcasts, Spotify and talk content on YouTube.  How can radio claim its place in the new universe opened up by social media.  Exactly what is radio? And what is its role? 

Community, Community, Community

The consensus was the secret of successful radio is in its ability to create a sense of community through the use of audio.  Historically, radio built its franchise serving a community formed by geography.  Chris Pearson and Geoff Poulton represented stations whose success is derived by super-serving local markets.

– The story in full can be found in today’s Media Beat column here.

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Executive of the Week: FACTOR's Meg Symsyk on Why Supporting Canadian Music Means Supporting Cultural Sovereignty
Business

Executive of the Week: FACTOR's Meg Symsyk on Why Supporting Canadian Music Means Supporting Cultural Sovereignty

The president and CEO of FACTOR, one of Canada's most crucial music funders, explains why it's more important than ever to support homegrown culture and give it the opportunity to compete on the global stage.

When it comes to supporting Canadian music, FACTOR's influence is immeasurable. One of the most crucial funders of art in the country, the non-profit's impact is seen with its logo across countless acclaimed records and its name shouted out at concerts and award shows. But for president & CEO Meg Symsyk, it's not just about supporting Canadian music or even Canadian artists: it's about the sovereignty and identity of the country itself.

“Buying locally is more important than ever because of that consumer awareness and structural support. Canadians need to be encouraged to be more intentional. This last year and a half with the tariffs and the trade wars has put that on everyone's front burner,” she explains.

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