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FYI

Miley Cyrus Debut Takes A Back Seat To Billie Eilish's No. 1 Album

Billie Eilish’s When We All Fall Asleep, Where Do We Go? returns to No.

Miley Cyrus Debut Takes A Back Seat To Billie Eilish's No. 1 Album

By FYI Staff

Billie Eilish’s When We All Fall Asleep, Where Do We Go? returns to No. 1 on the Billboard Canadian Albums chart, with the highest audio-on-demand streams and digital song download totals for the week. It is the album’s fifth week at No. 1, the longest-running chart-topping album of the year.


Thomas Rhett’s Center Point Road is the top new entry of the week, landing at No. 2. It matches the highest chart peak to date achieved from his last two releases, 2015’s Tangled Up and 2017’s Life Changes.

Khalid’s Free Spirit rebounds 6-3 with a 2% consumption increase.

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Miley Cyrus’ She Is Coming debuts at 4. All eleven of her albums have reached the top ten and eight have debuted in the top five.

 

With the publicity around the movie Rocketman, Elton John’s 2017 best of collection, Diamonds, bullets 26-5 with a 76% consumption increase. It is his highest charting album in the Nielsen SoundScan era, surpassing the No. 7 peaks of 2010's The Union and 2013’s The Diving Board. The soundtrack for Rocketman vaults 58-30 with a 72% consumption increase.

With a new deluxe release, Tory Lanez’s Love Me Now rockets 128-25 with a 194% consumption increase. The album peaked at No. 4 in November 2018.

Other debuts in the top 50 include Avicii’s Tim, at 31; the Chainsmokers’ World War Joy, at 35; and Denzel Curry’s ZUU, at 36.

Lil Nas X’s Old Town Road remains at No. 1 on both the Streaming and Digital Songs charts.

– All data courtesy of SoundScan with additional colour commentary provided by Nielsen Canada director, Paul Tuch.

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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