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Meet the 2021 Juno Nominees: Leela Gilday

From now until the 2021 Juno Awards are presented on May 16, we will offer this weekly column to help you get to find out more about a few of the nominees in a variety of categories a little better. Here is a look at an acclaimed Indigenous singer/songwriter with two nominations.

Meet the 2021 Juno Nominees: Leela Gilday

By Jason Schneider

From now until the 2021 Juno Awards are presented on May 16, we will offer this weekly column to help you get to know some of the nominees in all categories a little better.


Meet the 2021 Juno Nominees:

Leela Gilday- Nominated in the categories of Contemporary Roots Album and Indigenous Artist of the Year.

Listening to Leela Gilday’s music, it’s easy to be transported to the far north, the area where she calls home and has drawn songwriting inspiration from her entire life. On her latest album North Star Calling, Gilday has offered her most emotionally charged collection to date, weaving together traditional songform with modern production values to share her experiences as a member of the Dene nation.

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Gilday was born in Délįne, Northwest Territories on the shore of Great Bear Lake and began singing publicly at age 8. She earned a Bachelor of Music degree from the University of Alberta in 1997 and released her first album, Spirit World, Solid Wood, in 2002, which garnered her first Juno nomination.

Her next album, 2006’s Sedzé, won the Juno for Aboriginal Recording of the Year, and each of her subsequent releases have brought in a wide range of other accolades. However, she tells us that receiving word of her nominations this year felt particularly special.

“Being nominated in these two categories is so meaningful to me, and couldn't come at a better time. Because the last year has been so difficult, artists have been forced to examine our relationship with music, and for many—including myself—I believe it has been a lifesaver. I have drawn a deep solace not only from listening, but from creating.”

Having performed with her four-piece band in every province and territory in Canada, as well as in the U.S., Greenland, Australia, New Zealand and several countries in Europe, Gilday has developed a deep connection with her audience by making each show feel like a journey. It’s something she misses terribly, and wants to return to as soon as possible.

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“For anyone who is a creator and life-chain shaker, it’s truly a blessing to have a life calling that includes uplifting, empowering, and strengthening people. Being recognized for it is a bonus—a way to shine a light on just a small number of people—but I think at the end of the day music is the star here, and I'm so honoured and happy to be able to play my music and tell my stories.”

Indeed, music is Leela Gilday’s way to share light and dark and life’s most vulnerable moments with a clarity and genuine purpose that reassures her listeners through every word. She is a storyteller, and through this, reflects the world onto itself.

Website: leelagilday.com

Label: Diva Sound Records

Booking: AIM/Nicole Rochefort

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Kneecap Blasts Norwegian Government at Oslo Festival, Accusing It of Funding ‘Genocide’ Against Palestinians
Matt Cardy/Getty Images

Mo Chara, DJ Provaí and Móglaí Bap of Kneecap performs on the West Holts Stage during during day four of Glastonbury Festival 2025 at Worthy Farm, Pilton on June 28, 2025 in Glastonbury, England.

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Kneecap Blasts Norwegian Government at Oslo Festival, Accusing It of Funding ‘Genocide’ Against Palestinians

The Irish rap trio went after the Norwegian government over its investments, which are currently under scrutiny, at Øyafestivalen.

Irish rap group Kneecap – which has drawn a storm of criticism, support, attention and legal action over the past half-year – continued to speak out about the war in Gaza during an afternoon set at the Øyafestivalen in Oslo, Norway, on Friday (Aug. 8).

Right before the trio of Mo Chara, Móglaí Bap and DJ Próvaí took the stage, an English-language white-text-on-black-background message played on a video screen, accusing the Norwegian government of “enabling” the “genocide” against the Palestinian people via investments held in the county’s sovereign wealth fund (referenced as “oil pension fund” in the message). “Over 80,000 people have been murdered by Israel in 21 months,” the band’s message continued. “Free Palestine.” The message was greeted readily by a cheering audience. Most estimates (including those from health officials in the area) place the Palestinian death toll at more than 60,000. That number does not distinguish between civilians and Hamas militants. An estimated 18,500 of those killed were children.

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