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FYI

Lindsay Hyslop Named To Anthem Records' Nashville Team

Anthem Entertainment has hired Lindsay Hyslop as Manager, Marketing to its label division, Anthem Records.

Lindsay Hyslop Named To Anthem Records' Nashville Team

By FYI Staff

Anthem Entertainment has hired Lindsay Hyslop as Manager, Marketing to its label division, Anthem Records. Hyslop, who is based in Nashville, will report to Anthem Records’ Head of Label Allison Hamamura and will oversee all aspects of marketing strategy and execution for Anthem Records’ label roster.


Hyslop has worked in label and management positions in Nashville and Toronto, most recently managing marketing, brand partnerships and streaming for RGK Entertainment Group. For four years earlier, she had worked in Digital Marketing for Universal Music Canada. She holds a B.A. from the U of Western Ontario.

Hamamura said, “Lindsay comes to us with a wealth of experience and knowledge. Her natural affinity for music, creative capabilities and spirit make her a welcome addition to Anthem Records.”

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Separately, Brian Wahlund has been promoted to Senior Vice President of Content, Anthem Production Music Group. He will be reporting to Dan Demole, President of the group. As an original partner in Jingle Punks, Wahlund helped steward the organization through the acquisition by Endeavor and subsequently to Anthem Entertainment.

He will spearhead the original content division and production services for the group. He’ll work alongside Demole in setting the strategic direction while also managing the slate of original podcasts, audio-first content, and third-party production company partnerships. In addition, Wahlund oversees a variety of projects for the company in film, television and advertising. Wahlund will also continue to be heavily involved in Jingle Punks licensing and scoring business globally. He is based in LA.

Anthem Records, founded in 1977, is a division of Anthem Entertainment (formerly known as ole Media Management).

Led by CEO Helen Murphy, Anthem Entertainment sub-brands also include Cavendish Music, Compact Media, Jingle Punks and 5 Alarm Music. The music rights company is nominally headquartered in Toronto and operates offices in New York, Los Angeles, London, and Nashville with a headcount of approximately 200.

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Deryck Whibley of Sum 41 perform on stage during Day 3 of Hurricane Festival 2024 at Eichenring on June 23, 2024 in Scheessel, Germany.
Matt Jelonek/Getty Images

Deryck Whibley of Sum 41 perform on stage during Day 3 of Hurricane Festival 2024 at Eichenring on June 23, 2024 in Scheessel, Germany.

Chart Beat

Sum 41 Scores Second Alternative Airplay No. 1 This Year With ‘Dopamine’

The band's second and third No. 1s have led over two decades after its first in 2001.

After earning its first No. 1 on Billboard’s Alternative Airplay chart in over two decades earlier this year, Sum 41 scores another as “Dopamine” rises a spot to No. 1 on the Nov. 30-dated survey.

The song follows the two-week Alternative Airplay command for “Landmines” in March. The latter led 22 years, five months and three weeks after Sum 41’s first No. 1, “Fat Lip,” in August 2001, rewriting the record for the longest break between rulers for an act in the chart’s 36-year history. It shattered the previous best test of patience, held by The Killers, who waited 13 years and six months between the reigns of “When You Were Young” in 2006 and “Caution” in 2020.

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