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FYI

Dear-God: Lovin' It

The aggressive cut fuses hip-hop and hardcore, to adrenalizing effect.

Dear-God: Lovin' It

By Kerry Doole

Dear-God - Lovin' It (Dine Alone Records): Dear-God is the project of Robert Ortiz, from Brampton, Ontario. At just 19, he's already creating a stir with a fiery sound that fuses experimental hip-hop and hardcore elements.


“Lovin It’ is his new single. In a press release, he explains that "it's a fun song about winning after years of rejection. Growing up, I never felt like I could succeed or be happy in an academic setting. I ground it out after high school busting my ass doing physically exhausting dirty jobs because I wanted to support my music career. I was greeted with a lot of rejection for a long time, but I kept going. This song should serve as an inspiration to any kid who feels stupid and worthless because of their academic/career failures. Know your worth and do something sick.”

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The track features Ortiz spitting out the lyrics atop abrasive production and aggressive guitar, but there's a melodic quality to his brand of noise that'll draw you in. Previous singles Buck and The Burbs have a similar quality, and reference points include Beastie Boys and King Krule.

Buck premiered on Zane Lowe's Beats 1 show on Apple Music back in July, and in 2019 Dear-God opened for Wu-Tang Clan at Toronto’s MattyFest and joined The Dirty Nil on tour. An act to keep an eye on.

Links

Website

Instagram

Facebook

Twitter

PR: Jessica Santa, Listen Harder

Management: Aaron Miller & Nathan Stein

Booking: Adam Countryman & Nick Storch

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La musique francophone gagne en popularité grâce à une visibilité accrue, selon une étude de l’UQAM
Photo de Harry Spink sur Unsplash

La musique francophone gagne en popularité grâce à une visibilité accrue, selon une étude de l’UQAM

Les titres figurant dans les listes de lecture éditoriales de MUSIQC ont enregistré une hausse de 6 à 13 % de leurs écoutes sur Spotify. Créée par la SPACQ-AE, cette plateforme de diffusion en continu vise à accroître la visibilité de la musique francophone au Québec.

Une nouvelle étude de l'Université du Québec à Montréal (UQAM) met en lumière l'impact de la visibilité accrue de la musique francophone sur les plateformes de diffusion en continu.

Cette semaine, l’UQAM a publié une nouvelle étude mesurant l’impact de MUSIQC, la plateforme de diffusion en continu francophone québécoise créée par la SPACQ-AE, la Société professionnelle des auteurs, compositeurs et artistes entrepreneurs du Québec, sur la musique québécoise.

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