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FYI

On The Charts: September 30, 2019

Post Malone’s Hollywood’s Bleeding spends its third straight week at number one on the Billboard Canadian Albums chart with 17,000 consumption units, again picking up the highest audio-on-

On The Charts: September 30, 2019

By FYI Staff

Post Malone’s Hollywood’s Bleeding spends its third straight week at number one on the Billboard Canadian Albums chart with 17,000 consumption units, again picking up the highest audio-on-demand stream and digital song total. Each of his two chart-topping albums has spent three weeks at No. 1.


Taylor Swift’s Lover edges 3-2, Lil Tecca’s We Love You Tecca rebounds 4-3, and Ed Sheeran’s No. 6 Collaborations Project shifts 5-4.

The top new entry of the week belongs to Blink-182’s NINE, at 5. The album, which scores the highest album sales total of the week, is the California band’s seventh top-five album and first charted release since 2016’s California debuted at No. 1.

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Other new entries in the top 50 include San Diego metal outfit As I Lay Dying’s Shaped by Fire, at 28; Alabama Shakes’ Brittany Howard’s solo debut, Jaime, at 34; Zac Brown Band’s The Owl, at 39; Tove Lo’s Sunshine Kitty, at 49; and Liam Gallagher’s Why Me? Why Not, at 50.

Lil Tecca’s Ransom remains at No. 1 on the Streaming Songs chart and Lewis Capaldi’s Someone You Loved repeats at the top of the Digital Songs chart.

--- All data courtesy of SoundScan with additional detail provided by Nielsen Canada director Paul Tuch.

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The Weeknd
Holly McCandless Desmond

The Weeknd

Rb Hip Hop

The Weeknd Tests the Depths of His Soul in Ominous ‘Hurry Up Tomorrow’ Film Trailer: Watch

The thriller is slated to hit theaters on May 16.

The Weeknd has shared another glimpse into his upcoming Hurry Up Tomorrow film ahead of its nationwide theater release on May 16.

The ominous thriller received a second trailer on Tuesday (April 1) as the Toronto singer/actor took viewers further into his bewildering odyssey. Jenna Ortega and Barry Keoghan serve as The Weeknd’s co-stars in the movie directed by Trey Edward Shults.

This article was originally published by Billboard U.S.

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