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2022 Prism Prize Eligible Video: Kandle - Honey Trap

The 2022 Prism Prize for Best Canadian Music Video was recently awarded to Mustafa, for his clip for his own track, Ali. We will continue to profile noteworthy Canadian videos that were eligible for the 2022 prize, including this one from an acclaimed indie rock singer/songwriter.

2022 Prism Prize Eligible Video: Kandle - Honey Trap

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The 2022 Prism Prize for Best Canadian Music Video was recently awarded to Mustafa, for his clip for his own track, Ali. We will continue to profile noteworthy Canadian videos that were eligible for the 2022 prize, including this one from an acclaimed indie rock singer/songwriter.


Kandle - Honey Trap

Kandle Osborne is a singer-songwriter from British Columbia who balances the sounds of cabaret and rock in her music. Some of Kandle’s musical role models include Nancy Sinatra, Billie Holiday, and Shirley Bassey. During the summer of 2020, Kandle dropped her first EP as an independent artist  - Stick Around and Find Out - which earned her critical praise from both national and international publications. Since putting out that EP, Kandle has also released the album Set the Fire' in 2021 and an EP titled Inferno in 2022. 

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The music video for Kandle’s song“Honey Trap, from her 2021 album, is a pink hued edgy dream. Flipping between concert-like scenes of the band singing to scenes of Kandle and her band seemingly about to do something dangerous - the video keeps you on your toes, leaving you to wonder what’s going to happen. Throughout the video we also have these really cool reflection shots with mirrors galore. Near the end of the video we see a man start to get control, trapping the women, but they want to regain their power - which is reflected in the lyrics. Overall, this video is powerful, gritty and a great watch. 

Listen to Kandle’s latest album Inferno on audio streaming services. Of note: She is the daughter of 54-40 frontman Neil Osborne, and the pair have performed and recorded together.

Video Credits 

Starring Keenan Tracey, Kandle Osborne, Louise Burns, Tess Ananda & Kendel Carson 

Directed & Edited by Brandon William Fletcher 

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Directory of Photography: Byron Kopman 

1st AD: Jeffrey Mitchell 

1st AC: Kelvin Wong 

Gaffer: Nick Taillefer 

Key Grip: James Kaliszak 

Makeup by: Katie Macskasy 

Hairdressing by: Tess Ananda 

Rope Artist: Squid Kinks 

Vehicle Provided by: Bob Mai & Robert Huynh 

Equipment Provided by: Alterna Films 

Colour: Dave Tomiak 

Executive Producer: Kandle Osborne 

Produced by Brandon William Fletcher 

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Chairman & Chief Executive Officer of Universal Music Group Sir Lucian Charles Grainge attends Universal Music Group Hosts 2020 Grammy After Party on January 26, 2020 in Los Angeles, California.
Rodin Eckenroth/WireImage

Chairman & Chief Executive Officer of Universal Music Group Sir Lucian Charles Grainge attends Universal Music Group Hosts 2020 Grammy After Party on January 26, 2020 in Los Angeles, California.


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Read Lucian Grainge’s Memo on UMG-TikTok Deal: ‘Entire Music Ecosystem’ Will Benefit

The new agreement, announced in the early morning, addresses "key changes in several critical areas," Grainge said in outlining what UMG achieved in negotiations.

Universal Music Group chairman/CEO Lucian Grainge penned a memo to staff, obtained by Billboard, about the music company’s new licensing agreement with TikTok that ended a three-month standoff between the two entities, saying the deal ended with “a decidedly positive outcome,” with TikTok agreeing “to key changes in several critical areas.”

The announcement of the new deal, which came after a high-profile dispute between the world’s largest music company and one of the current premier social media platforms in the world that first erupted in late January, was announced early this morning (May 2). The agreement will see UMG’s millions of compositions and songs, both from its recorded divisions and its publishing company, return to the platform “in due course.” The feud has been one of the biggest talking points in the music business for the better part of this year, with artists and songwriters caught in the middle of the corporate standoff and looking for alternate ways to promote and market their music beyond the parameters of TikTok.

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