2020 Slaight Family Polaris Heritage Prize Winners Named

Groundbreaking Canadian albums by Beverly Glenn-Copeland (pictured), Main Source, and Buffy Sainte-Marie have been named as this year’s recipients of a Prize that can be viewed as a Hall of Fame equivalent for releases in the pre-Polaris era.

2020 Slaight Family Polaris Heritage Prize Winners Named

By FYI Staff

The Polaris Music Prize has announced that albums from Beverly Glenn-Copeland, Main Source and Buffy Sainte-Marie have received 2020 Slaight Family Polaris Heritage Prize designation.

Beverly Glenn-Copeland’s influential Keyboard Fantasies, a new age/electronic album from 1986, was chosen in the Re:Sound-supported Heritage Prize public voting category, which ran this year from October 19 to November 9.

Additionally, Buffy Sainte-Marie’s 1964 debut album, It’s My Way!, and Main Source’s ground-breaking 1991 hip-hop album, Breaking Atoms, both received Heritage designation by the 10-member Polaris Heritage Prize jury owing to a tie vote.

“Congratulations to these three winning artists. You’ve created important, memorable recordings that show the vast range of Canadian musical excellence. I have tremendous appreciation for the work that has gone into making these timeless albums,” said Gary Slaight, President and CEO of Slaight Communications.


The winners appreciated that these albums remain so relevant to the jury and the public decades after their initial releases.

“I am deeply grateful to be the recipient of the Polaris Heritage Prize for Keyboard Fantasies in 2020,” said Glenn-Copeland. “All those years ago when I wrote this music my wish was that I might be able to sell the few copies my little company was able to press. I could not have known that 35 years later this music would be reaching people worldwide, much less receiving this award. Thank you to those now gone and those still living who helped make the recording possible. Thank you to all of you who voted for this music. Thank you to those providing me with professional music business guidance at this time. And my special thanks to my dear wife Elizabeth Glenn-Copeland, my partner in all things. Her tireless efforts over many years helped make this award possible. Blessings one and all.”

“We would like to take a moment to thank Polaris for recognizing Main Source and the album Breaking Atoms,” said Main Source’s K-Cut. “We are very humbled and honoured to have put out something that has been recognized around the world. 2021 will be 30 years of Breaking Atoms and when we made this album we never expected two Canadian kids growing up in Queens, New York would be part of hip-hop culture and history. It’s amazing to see the influence Breaking Atoms has had on hip-hop heads new and old as well as breaking the careers of artists we know today (Nas). This album allowed us to bring the Main Source production and sound to the likes of Queen Latifah, Busta Rhymes, Shaq, A Tribe Called Quest, Ice-T, Maestro, MC Lyte, Pharoahe Monch and Common. Thanks to everyone who supported us to this day and who continue to support us.”


Heritage Prize juror, Andrea Warner, says Sainte-Marie’s debut was unique in its field. "It's My Way! is a powerful and peerless debut. It was 1964 and while almost every other folk singer swaddled themselves in metaphor Buffy Sainte-Marie was writing incisive, compassionate calls to action. Side One begins with Now That the Buffalo's Gone, reaches Cod'ine, and ends with Universal Soldier. That's just Side One. It's My Way! is as remarkable now in 2020 as it was in 1964. It's a collection of songs shaped by lived experience, injustice, and radical hope, and delivered as witness, survivor, and truth-teller." 


“It’s not easy to pick one, two or three albums to be honoured with the Polaris Heritage Prize from the hundreds of brilliant, ground-breaking recordings released in Canada over the past 60 years,” said Heritage Jury foreperson Mary Dickie. “But I can’t think of any three that could represent the breadth and diversity of the talent in this country as well as these towering achievements. Congratulations to our winners!”


The trio of new Heritage Prize-winning albums join D.O.A.’s Hardcore ‘81 and the Oscar Peterson Trio’s Night Train albums, which received their designation in 2019. Other past Heritage Prize winners include the likes of Arcade Fire, Blue Rodeo, Jean-Pierre Ferland, Mary Margaret O’Hara, Rush as well as 22 others. 

“The Polaris Heritage Prize continues to showcase the exceptional talent, dynamism and diversity of Canadian music over the years,” said Lou Ragagnin, President and CEO, of Re:Sound. “We are proud to sponsor the Heritage Prize, and extend our congratulations to Beverly Glenn-Copeland, Buffy Sainte-Marie and Main Source.”

Like the Polaris Music Prize, winners and nominees for the Heritage Prize are Canadian albums of artistic distinction, without regard to musical genre or commercial popularity. This is the Polaris version of a hall of fame featuring albums that may well have been nominated or won the Prize before it began in 2006.

The Office of Gilbert Li, who curated the 2020 Polaris Music Prize posters and the posters for the 2019 Heritage Prize winners, will once again select the visual artists who’ll pay tribute to the three winning records in the form of Polaris Posters.

About the Polaris Music Prize 

The Polaris Music Prize is a not-for-profit organization that annually honours and rewards artists who produce Canadian music albums of distinction. A select panel of music critics judge and award the Prize without regard to musical genre or commercial popularity.

About Slaight Music

Slaight Music was started in 2011 with a mandate to support the Canadian Music community through a variety of initiatives and to develop Canadian talent via strategic partnerships with industry peers.

About Re:Sound

Re:Sound is the Canadian not-for-profit music licensing company dedicated to obtaining fair compensation for artists and record companies for their performance rights. The organization advocates for music creators, educates music users, licenses businesses and distributes royalties to creators - all to help build a thriving music industry in Canada.


Toronto venue History is one of the Live Nation venues participating in the On The Road Again program
Scott Norsworthy

Toronto venue History is one of the Live Nation venues participating in the On The Road Again program


Live Nation Raises Minimum Wage to $20/hour For Venue Employees In Canadian Clubs

It's part of the On The Road Again program, which affects Live Nation-owned club venues in North America including seven in Canada.

Live Nation has announced it will be increasing its minimum wage to $20/hour for over 5,000 employees venues and clubs in Canada and the U.S.

The wage increase falls under the company’s On The Road Again program in partnership with musician Willie Nelson.

keep readingShow less