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Liam Gallagher Asks Fans to ‘Get off My Case’ over Oasis Ticketing Debacle

Oasis' upcoming tour has been marred by ticketing trouble, with frontman Liam Gallagher growing tired of the topic.

Oasis

Oasis

Simon Emmett

Oasis frontman Liam Gallagher is as sick of the ongoing fiasco relating to tickets to the band’s reunion shows as anyone else.

Since Oasis announced their long-awaited return back in August, high demand has translated into ticket trouble, with a dynamic pricing model and long delays resulting in a litany of frustrated fans attempting to obtain tickets to the band’s shows in the U.K. and Ireland.


In October, it was announced that Ticketmaster would be investigating the matter further, going so far as to cancel roughly 50,000 resale tickets that were deemed to have been purchased using techniques that have been forbidden for the Oasis tour. These included methods often used by scalpers and bots, including purchasing more than four tickets per household, per show, and using multiple identities to buy up tickets.

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On Monday (Feb. 10), Billboard reported that fans had indeed begun to see their tickets being cancelled, with Ticketmaster getting in touch with some ticket holders to inform them that their tickets have been refunded. Ticketmaster’s message to these ticket holders claimed that “it has been identified that bots were used to make this purchase,” meaning they “violate the tour’s terms and conditions.”

“These terms were specifically established to limit resale of tickets on unauthorised ticketing platforms for profit,” Ticketmaster’s message said. “Fans have been strongly advised by all parties not to purchase tickets from unauthorised resale sites, to protect them from fraud or refunding.”

At least one fan has now attempted to bring the matter to the attention of the band’s outspoken vocalist, Liam Gallagher. With some fans venting their anger on social media, one X user named Karen Kelly reached out to Gallagher, asking “Liam what do you think of the ticket situation? Thinking fans are bots and getting their money returned?”

A punctuation-averse Gallagher responded only six minutes later, writing “I don’t make the rules were trying to do the right thing it is what it is I’m the singer get of my case”.

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Kelly soon clarified the question by claiming that no one was getting on Gallagher’s case, but that she was instead wanting to know “if [he’d] seen it”. Gallagher responded by noting, “I see everything I work out”.

In December, Liam’s brother Noel touched on the upcoming gigs, assuring fans that their reunion shows will be less volatile than their history might suggest, while indicating the ticketing hassles may be worth it in the long run.

“No, it won’t be as raucous as back in the day, because we’re on the wrong side of 50 now, so we’re too old,” he claimed. “We’re too old to give a s**t now, so there won’t be any fallouts, there won’t be any fighting. It’s a lap of honour for the band.”

This article was first published by Billboard U.S.

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Gracie Abrams for 'Vogue'
Larissa Hofmann

Gracie Abrams for 'Vogue'

Music News

Gracie Abrams Was ‘Worried’ Her Music Would Suffer Due to Relationship With Paul Mescal

The pop star also opened up about their quiet life together in a new interview.

From “That’s So True” to “I Love You, I’m Sorry,” Gracie Abrams has proven she can write a good breakup song. But now that she’s happy and in love with boyfriend Paul Mescal, even she wasn’t sure how her songwriting capabilities would be affected.

In a Vogue cover story published Tuesday (June 9), the pop star opened up about her cozy life with the Irish actor and detailed how she learned to approach making music differently with a steady, balanced relationship in her life. She’s settled now in the London home she shares with Mescal, who’s currently filming his portrayal of Paul McCartney in Sam Mendes’ four-part Beatles biopic in the city; their place is filled with instruments, including a piano Abrams plays most mornings and guitars for both herself and Mescal, who’s picked up the instrument for the films.

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