advertisement
Music News

Billie Eilish Says She Almost Scrapped ‘Birds of a Feather’ as She Thought Song Was ‘Kind of Stupid’

The song went on to become one her biggest hits to date.

Billie Eilish performs onstage during "Hit Me Hard And Soft: The Tour" at Kaseya Center on October 09, 2025 in Miami, Florida.

Billie Eilish performs onstage during "Hit Me Hard And Soft: The Tour" at Kaseya Center on October 09, 2025 in Miami, Florida.

Arturo Holmes/Getty Images

Since it dropped last year, “Birds of a Feather” has taken flight as one of Billie Eilish‘s most successful songs to date. But in a new interview, the pop star revealed that she almost scrapped it entirely, fearing it was too “stupid” to release.

While speaking to the Wall Street Journal for a profile published Wednesday (Oct. 29), Eilish opened up about spending nearly a full year wrestling with the track in the studio with Finneas, her brother and co-producer. When “Birds of a Feather” — which is far cheerier and uplifting than the singer’s usual brand of pop song — finally came together, Eilish still wasn’t sure if it would ever see the light of day.


advertisement

“Multiple times I was like, “We should cut this,'” she told the publication. “Even when I played the whole album for the label, I was like, ‘Guys, this one is kind of stupid.'”

Luckily, “Birds of a Feather” made the cut on the tracklist of Eilish’s third studio album, Hit Me Hard and Soft, which dropped in May of last year and debuted at No. 2 on the Billboard 200. The buoyant love song spent three weeks at No. 1 on the Billboard Global 200 and closed out 2024 as Spotify’s most-streamed song of the year with upwards of 1.781 billion streams. (It now boasts more than 3 billion on the platform.)

“Birds of a Feather” also serves as the closing number in Eilish’s tour setlist. After kicking off the trek supporting HMHAS in September 2024, the singer now has just a month or so left of shows before she closes out with a pair of shows in San Francisco in November.

Part of the reason why Eilish has been on tour for so long was so she’d have plenty of room for breaks along the way, she explained to WSJ. “It takes longer, and you make less money that way,” she told the publication. “But for me, it’s magical.”

advertisement

This article was originally published by Billboard U.S.

advertisement
Shhenseea, MOLIY, Skillibeng and Silent Addy
ACEPXL

Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

keep readingShow less
advertisement