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Angine de Poitrine, Patrick Watson & More Best Moments From the 2026 Montreal International Jazz Festival
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Angine de Poitrine at the Montreal International Jazz Festival 2026 Benoît Rousseau
Angine de Poitrine Draws One of the Biggest Jazz Fest Crowds Ever
Angine de Poitrine continues to grow as the world's hottest rock band, and their set at the Montreal Jazz Fest welcomed a record, global headliner-sized crowd. Returning to the festival after performing to a crowd of 2,000 people last year, Angine took over the main stage on June 27, with a speculated 75,000 to 100,000 people packing out the festival site across three blocks, eager to catch a glimpse of the polka-dotted math rock extraterrestrials.
Klek and Khn de Poitrine absolutely commanded the crowd in their home province, with Khn playing zany riffs on his brand new Godin-manufactured multi-neck guitar and Klek drumming away as fans dressed in black-and-white dotted attire passed around inflatable dice and even waved a polka-dotted Quebec flag. The Jazz Festival confirmed it's the biggest crowd they've seen since Stevie Wonder headlined for 200,000 concertgoers in 2009, calling the performance a "defining moment in the Festival's history." The duo were especially enthusiastic onstage, delivering instrumental hits like "Fabienk" and "Sarniezz," which even Shania Twain is a fan of, as well as "Mata Skyler," whose bass break had all 100,000 fans clapping in sync. Angine's Jazz Fest set truly highlighted how they have everyone's attention, and their main stage status is extending beyond Quebec as their global takeover continues.
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Patrick Watson at the Montreal International Jazz Festival 2026Productions Novak
Patrick Watson Brings an All-Star Cast of Quebec Artists
Patrick Watson filled up the Place des Festivals site with one of its tightest crowds while delivering a powerful, intimate set that interwove diverse art forms and numerous special guests, including French singer-songwriters November Ultra and Solann, the latter joining him for his groundbreaking and massively successful track, "Je te laisserai des mots."
Watson's soft vocals cut through the entire crowd as silence took over the Place des Festivals, while tens of thousands of fans watched in absolute admiration. Special projections curated by the Montreal hero took over the walls of the adjacent UQAM university building and the Agora de la danse contemporary dance theatre, featuring dancers from the Montreal School of Contemporary Dance.
French dancer and circus performer Yoann Bourgeois recreated his viral trampoline performance during "Here Comes the RIver," which involves him falling and landing back atop a staircase, adding another poetic layer to the track. Watson later invited fellow Quebec singer Klô Pelgag, whose haunting vocals harmonized with the singer-songwriter's soft singing as she sang from atop a staircase, before the continued the performance while jumping on the trampoline.
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Yoann Bourgeois at the Montreal International Jazz Festival 2026Productions Novak
Watson even gave a special tribute to his hometown of Montreal by covering Leonard Cohen's "Hey, That's No Way to Say Goodbye" alongside a star-studded cast including Martha Wainwright, La Force, November Ultra and The Barr Brothers. A day earlier, he received the festival's Spirit Award, becoming the first Montrealer to win since Cohen in 2008.
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Bridging dance, cirque, music and performance art, Patrick Watson presented Montreal with a stellar, fully-rounded artistic performance that reflects the poeticism of his own work and his ambitious artistic vision, which continue to bring one of Canadian music's most powerful voices around the world.
Domi and JD Beck at the Montreal International Jazz Festival 2026Frédérique Ménard-Aubin
Domi and JD Beck Preview Their Upcoming Album
French/American jazz duo Domi and JD Beck treated fans to an early listen of their upcoming sophomore album Who Asked?, taking the stage exactly three years after their last performance at the Montreal Jazz Fest.
"This is our whole new record, minus the vocals because we’re singing on this [album]… we’re figuring that out," Beck told the crowd during one of the group's few brief yet comedic addresses. Their entire set was dedicated to the new album, which was performed in full in its instrumental form, ahead of its release on July 31.
From Domi Louna's soaring arpeggios to JD Beck's speedy drumming on a drum set that included a metal chair for a cymbal, both artists showcased exceptional musicianship through their performance, which highlighted the meticulousness of their sound despite its easy-going tone. Who Asked? is true to the duo's uniquely fluttery and polyrhythmic sound, feeling warmer and fuzzier than its predecessor Not Tight while also pushing the boundary even further with string sections, bolder crescendos, constant time signature changes and unexpected pauses and breaks. The duo also incorporated distorted transitions and interludes between tracks, a sharp contrast from their typical sound that maintained atmosphere throughout the performance
One of the set's smoothest moments arrived in the form of what the duo laughingly described as a "fake swing song," while their lengthy and cathartic outro number began with a rumbly, vibrating keyboard solo by Louna, before evolving into increasingly rapid-fire piano melodies and drumming by the duo. Domi and JD Beck's exceptional chemistry was fully on display, and their new material left a lasting impression on the crowd, who gave them a standing ovation and received an encore performance of 2022's "WHATUP."
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Naïka at the Montreal International Jazz Festival 2026Productions Novak
Naïka Surprises the Crowd with Jesse Reyez
French-Haitian singer-songwriter Naïka brought her enchanting blend of Haitian kompa, other Caribbean music styles and R&B to the Jazz Fest's biggest stage and created a viral moment out of her biggest hit. During "One Track Mind," a track which boasts more than 50 million streams, the singer surprised the audience with Toronto's own Jessie Reyez, who delivered a brand new verse on the single, singing in both Spanish and Haitian Creole. The pair were all smiles while displaying their vocal chemistry and synergy onstage, with the appearance quickly becoming one of the most talked-about moments of the festival.
Naïka's performance set a lush tone enhanced by live instrumentation, as she played a kazoo solo at the end of her reggae track "F.I.S.H.," and invited a saxophonist for a jazzy outro to her bolero track, "Soleil." Draped in a white dress and singing from a mic stand covered in lilies, her set stood out as one of the weekend's most soothing entrancing performances, with Reyez's appearance further stamping the Afro-R&B singer as one of the most promising rising stars to follow.
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Saint Levant (right) and Rashid Abdelhamid at the Montreal International Jazz Festival 2026Productions Novak
Saint Levant Invites His Father to DJ
Palestinian singer-songwriter Saint Levant brought a traditional Arabic music flair to the TD Stage, and he turned his set into a family affair with the crowd, as well as his own father Rashid Abdelhamid. Also known as 'Baba Levant' (which translates to father in Arabic) or 'Abu Levant,' the singer's father made a special appearance during his son's performance to play one of his occasional DJ sets, having previously appeared during Saint Levant's Boiler Room performance.
The pair shared a wholesome moment onstage dancing along to classic Arabic-language songs including Fares Karam’s “El Tannoura” and Hassan Abu El So’oud’s “Shik Shak Shok,” turning the performance into a communal, traditional party.
Levant's set was a celebration of Arabic music and culture, with Middle Eastern flags waving throughout the crowd as fans eagerly sang and danced along the entire night, even after braving a downpour right before the performance. Levant performed tracks like "Kalamantina" and "Wazira," leading the crowd in chants as the sound of goblet drums and the Arabic ney and mizmar horns underscored his singing in English, Arabic and French. He also gave a heartfelt speech about Palestine and played a stellar saxophone solo, creating a warm atmosphere encouraging cultural pride, celebration and community.
The Alchemist Plays an Unreleased Yasiin Bey Collaboration
After hosting a special vinyl pop-up in Montreal, veteran hip-hop producer The Alchemist played a special DJ set at Club Soda, once more boldly embodying the spirit of the genre in which he has devoted himself to for over 30 years. From enthusiastic cheers and shouts into the mic as an MC, to spitting his own rhymes on his song "60 Days" with Larry June, the California producer cycled through over two decades worth of catalogue while enthusiastically dancing and gesturing along to the lyrics, keeping the crowd anticipated the entire night.
Halfway through his set, Alchemist asked if he could preview a new collaboration with Yasiin Bey (formerly Mos Def), which sent the crowd roaring. The unreleased track titled "Kijani," which features a piano loop and "la la la" refrains, is set to appear on their collaborative album Forensics, which was announced last year and is still eagerly awaited by listeners.
The renowned producer also played blog era classics from his mixtapes Covert Coup with Curren$y and No Idols with Domo Genesis, as well as more recent and well-known collaborations with Freddie Gibbs, Westside Gunn and Larry June which made the crowd exclaim. Alchemist fired off one track after another, even incorporating rock, soul and jazz into his set by working in the samples that he used on various tracks, commanding a sea of fans both older and younger. His passion for the genre could not be contained by the room, and fans revered the man behind one of hip-hop's most illustrious catalogs.
Smino at the Montreal International Jazz Festival 2026Productions Novak
Smino Brings Rap Flair to Close the Festival
Headlining the TD stage, Smino brought the energy to Jazz Fest with his versatile sound that encompasses melodic hip-hop and jazzy R&B. Halfway through his set, Smino officially proclaimed his performance as "now a rap concert," turning the energy all way up as the 808s on “Mister Misfit But Ain’t Missed a Fit in Months” boomed through the speakers, with groups of fans towards the front of the crowd even jumping around. Along with his own cuts like “Lee & Lovie,” a track dedicated to his grandparents, and the laid-back “Spinz,” the St. Louis rapper also incorporated some R&B classics by performing his freestyle over Beyoncé’s “Me Myself & I” and an original rendition of Aaliyah’s “Rock the Boat” dedicated to smoking weed.
Smino’s dynamic blend of R&B and hip-hop kept the crowd engaged as the energy varied between brash highs and mellow moments like the closer “Amphetamine.” He led a screaming match between the left and right sides of the crowd and some call and response segments, striking the perfect balance between the charisma of a hip-hop concert and the jazz festival’s mellow atmosphere. Delivering an encore, he played out the Montreal Jazz Fest on a high note, wrapping up another successful year for the biggest jazz festival in the world.
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