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Happy Xmas (War Is Over)
John & Yoko/The Plastic Ono Band With The Harlem Community Choir
Dec 24, 2023
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Door 24
Daniel Caesar at The Mod Club in June 2025 as part of NXNE.
Partner
A Look Inside Daniel Caesar: Presented By Amazon Music Canada
The acclaimed R&B singer-songwriter debuted a brand new song at The Mod Club as part of NXNE.
21m
PRESENTED BY AMAZON MUSIC CANADA
Daniel Caesar reconnected with his younger self at NXNE. He returned to Toronto’s Mod Club, the spot of his first big headlining concert nearly a decade ago, in a special intimate show presented by Amazon Music Canada.
The R&B breakout made the leap to his first arena shows in 2023 at Toronto’s Scotiabank Arena and New York’s Madison Square Garden. Playing shows that size requires a different level of planning – lighting cues, setlists, a tight schedule. There isn’t much room for spontaneity.
He rediscovered that at the Mod Club. He played the majority of the concert solo, or with minimal accompaniment on keyboard and/or drums. He mapped out a master setlist, but picked and chose what to play on the spot, making decisions while talking through it with the audience or taking requests.
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That included some of his best known songs, like “Get You” and “Best Part” from his breakthrough album Freudian, but he played them differently. He fed off the audience’s energy, letting them take over vocals while he smiled and chuckled. It was extremely communal, like the Toronto community he grew up in had a stake in the songs – like they belonged to everyone.
He also used the opportunity to play some deep cuts and unreleased songs, including early ones like “Medulla Oblongata.” That song had a simple structure, which Caesar admitted was related to his undeveloped skills as a songwriter at the time. He could write a couple of verses and a chorus, and that’s it. But in this environment, the looseness was perfect.
The most special moment of the night came towards the end, after he left the stage to a rousing ovation. He came back for an encore, noting the charade of leaving the stage felt strange especially in this intimate environment.
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“I knew I was coming back, you knew I was coming back,” he said. “What is this game we’re playing?”
He already knew which song he was going to play, he said, and it wasn’t any of the ones the fans were shouting for him to play.
“This song is brand new but it’s coming out,” he said to rousing applause. “It’s one of my favourite songs I’ve ever made in my entire life.”
The song was “Moon,” and it immediately sounds like a classic Daniel Caesar track: a simple but timeless acoustic chord progression, his soul-bearing vocals and searching and plaintive lyrics.
“I howl at the moon,” he sang. “I’m not who I want to be at the moment.”
Between a wordless falsetto and a complete hush in the audience, he sang about fighting for another person. But who would have his back?
“Who’s gonna fight for me? Who will advocate? Who’s gonna be my Jesus? Pull up on a cloud, play that trumpet loud. Carry me home.”
Caesar grew up in a religious family, and though he’s pursued a secular music career, the remnants are in his music. He’s always searching, always vulnerable. And on this night, he left everything on the stage.
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Published by ARTSHOUSE MEDIA GROUP (AMG) under license from Billboard Media, LLC, a subsidiary of Penske Media Corporation.
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