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FYI

Platinum Blonde’s Mark Holmes Opens NYC-Styled Piano Lounge

The Toronto rock star turned club entrepreneur is partners in a new venue, the Jean Darlene Piano Room, described as a cozy yet sophisticated spot. Pictured (l-r): Mark Holmes, Fadi Hakim, and Joseph Eastman.

Platinum Blonde’s Mark Holmes Opens NYC-Styled Piano Lounge

By Karen Bliss

Platinum Blonde frontman, songwriter and entrepreneur Mark Holmes, who created the popular mod club 60s-themed music nights at Toronto’s Lava Lounge, then Revival and finally its own venue, The Mod Club Theatre — and was also a popular deejay known as DJ MRK — has opened a new spot with partners Fadi Hakim and Joseph Eastman.


Jean Darlene — named after the clothing store that operated there for decades — is a cozy yet sophisticated piano lounge in the trendy Ossington area.

Specialty cocktails for the soft opening included four deliciously dangerous concoctions called John, Paul, Ringo and George. Behind the gold-wrapped baby grand was Meher Steinberg (Lou Pomanti also played) with guest singers Danny Greaves (of The Watchmen), drag queen Ivory Towers (lip-syncing), and Holmes himself.

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Jean Darlene Piano Room, as it is billed on the marquee, is located at 1203 Dundas St. W, with its entrance in the alleyway behind KFC. The club is set up to feature live performances, piano karaoke and DJs. “It’s styled after a NY staple piano bar,” Holmes tells FYI. “It fits about 60 comfortably and serves high-end cocktails. We are doing many live music events with known artists in intimate surroundings.

“It's a place for pros who like to work their chops out in front of other pros and a happy audience (hopefully). We hope to create a hub for established and up-and-coming musical humans. There is nothing like this in the city at the moment, but I'm sure that will change after we become more popular.”

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Intro

Billboard Canada 2025 Power Players List Revealed

By Richard Trapunski, Rosie Long Decter, Peony Hirwani, Stefano Rebuli and Heather Taylor-Singh

Billboard Canada Power Players is back for a second year, and it comes at a pivotal time for Canadian music. Canadian Content regulations – a principle that built the domestic industry – are up for review for the first time in a generation, with ongoing hearings taking place with the CRTC. The Online Streaming Act, meanwhile, is attempting to regulate major foreign streaming services to contribute to CanCon as the CRTC once did for radio, but companies like Spotify, Amazon and Apple Music aren't taking it without a fight.

Those issues shadow the industry, which has both struggles and successes. The country was recently named the 8th largest music market in the world by the IFPI and Toronto has emerged as a marquee live music market. That's been reflected in the successes and investments in new venues by companies like Live Nation Canada, MLSE and Oak View Group, though some festivals and promoters outside of their orbit have gone public with their own struggles.

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