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FYI

Eminem Has No. 1 Album For 4th Week.

Eminem’s Music To Be Murdered By remains at No.

Eminem Has No. 1 Album For 4th Week.

By FYI Staff

Eminem’s Music To Be Murdered By remains at No. 1 on the Billboard Canadian Albums chart for the fourth straight week, with 8,400 total consumption units, and again picking up the highest on-demand stream total for the week. It is his longest-running chart-topping album since 2010’s Recovery spent seven weeks in first place.


Roddy Ricch’s Please Excuse Me For Being Antisocial holds at No. 2, as his single, The Box, remains at the top of the Streaming Songs chart. Post Malone’s Hollywood’s Bleeding edges 4-3, switching positions with Billie Eilish’s When We All Fall Asleep, Where Do We Go, and Lewis Capaldi’s Divinely Uninspired To A Hellish Extent jumps 8-5. It is the album’s highest chart peak in its 39th week on the chart.

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The top new entry for the week belongs to Green Day’s Father Of All… at 6, with the highest album sales total for the week. It is their eighth top ten album since the Canada SoundScan era began in 1995.

American rapper Pop Smoke’s Meet The Woo 2 debuts at 9. His debut release, 2019’s Meet The Woo, did not chart.

Other debuts this week include the Birds Of Prey soundtrack, at 26, former La Voix winner Ludovick Bourgeois’ 2, at 50, and LA-based Torontonian JP Saxe’s Hold It Together at 53.

 

-- All data courtesy of SoundScan with additional colour commentary provided by Nielsen Canada Director Paul Tuch.

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Billboard Canada 2025: The Covers
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Billboard Canada 2025: The Covers

Here are all of Billboard Canada’s covers of 2025, spotlighting artists, executives and career moments that shaped the year.

A Billboard Canada cover marks a moment when an artist, a career or an industry story reaches a point worth reflecting on. Across 2025, those moments ranged from chart-defining comebacks and first-ever interviews to farewell tours and leadership milestones that shaped Canada’s live and recorded music landscape. Each cover reflected not just who was in focus, but why that story mattered at that specific time.

This year was bookended by big Canadian rock comeback stories: Sum 41 calling it quits after one of their most successful albums, and Three Days Grace entering one of their highest-charting phases after a reunion with original lead singer Adam Gontier. It was a year of rising stars entering the next level, like The Beaches, and artists returning to their roots, like Daniel Caesar and his intimate show at NXNE 2025. And it was a major year for Live Nation, the dominant live promotions company that has helped turn Toronto into one of the biggest global touring markets.

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