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FYI

2022 Prism Prize Eligible Video: BadBadNotGood - Open Channels

The 2021 Prism Prize for Best Canadian Music Video was awarded to Theo Kapodistrias, for his clip for Haviah Mighty’s Thirteen. We will continue to profile noteworthy Canadian videos that are eligible for the 2022 prize, including this one from an adventurous Grammy-winning jazz combo.

2022 Prism Prize Eligible Video: BadBadNotGood - Open Channels

By External Source

The 2021 Prism Prize for Best Canadian Music Video was awarded to Theo Kapodistrias, for his clip for Haviah Mighty’s Thirteen. We will continue to profile noteworthy Canadian videos that are eligible for the 2022 prize, including this one from an adventurous Grammy-winning jazz combo.


BadBadNotGood - Open Channels

Two-time Grammy award-winning BadBadNotGood (BBNG) is a production collective out of Toronto. Since forming in 2010, the ensemble has released 5 studio albums, a handful of mixtapes and collaborated with some of the biggest names in hip-hop, including Tyler the Creator and Ghostface Killah. Their discography is quite diverse but frequently blends Hip Hop and Jazz production to create smooth melodies. 

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BBNG’s music video for “Open Channels doesn’t stray too far musically from their jazz roots and definitely leans more heavily towards that genre than any other. From smooth saxophone to the constant presence of hi-hats, the track has an almost dream-like quality, devoid of any strong repetition as it meanders to its conclusion. The visuals then, are fitting, opening with a card that says “BadBadNotGood in Cinemascope”.

Cinemascope is a largely outdated lens that was used primarily in the 60s film industry. That is why the video feels like a 1960’s art-house film, the grain and texture given by this filming method make it look less like a modern music video and more like something a film Michelangelo Antonioni would have made half a century ago. The coloured effects only add to this feeling of a 60’s dream state and the out-of-sync music with the musicians playing them is the cherry on top. All in all, five minutes well spent.

BadBadNotGood will be in Montreal on Aug. 31, Ottawa on Sept. 1, and Toronto on Sept. 2. Check out their tour dates here

Director: Sylvain Chaussée

Production Company: tranquilo

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Producer: Pia Perez

Cinematographer / Editor: Sylvain Chaussée

Camera Assistant: John Price

Wardrobe: Eske Schiralli + MAD Mfg

Film Painting & Animation: Sylvain Chaussée

Production Assistant: Warren Katz

Titles: Ivan Narez

Film Lab: Niagara Custom Lab

Film Scanning: Mainfilm

Shot on 35mm Kodak Film, in CinemaScope

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Shhenseea, MOLIY, Skillibeng and Silent Addy
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Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

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