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Sarah McLachlan's Trailblazing Lilith Fair Festival Takes Centre Stage In New Documentary

Sheryl Crow, Erykah Badu, Olivia Rodrigo and many more are featured in the upcoming feature-length film directed by rising Canadian Ally Pankiw and exploring the legacy of the late '90s all-women music festival.

Sarah McLachlan

Sarah McLachlan

Kharen Hill

An under-appreciated, influential '90s festival is getting its due in the form of an upcoming feature-length documentary.

Lilith Fair will tell the story of Sarah McLachlan's travelling music festival, which featured all-female lineups in a groundbreaking effort to push back on sexism in the live music industry.


The documentary, helmed by rising Canadian director Ally Pankiw and co-produced by Dan Levy and Christina Piovesan, will feature interviews with some of the festival's biggest acts, including Sheryl Crow, Erykah Badu, The Indigo Girls and Brandi Carlile, as well as contemporary artists like Olivia Rodrigo, attesting to the festival's legacy.

Running from 1997 to 1999, Lilith Fair was founded to elevate and build community between women artists, and helped give major spotlights to future stars like Missy Elliott, Nelly Furtado, Tegan and Sara and The Chicks. McLachlan was inspired to start the festival when she repeatedly heard from bookers that audiences didn't want to see multiple women on concert lineups.

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She revived the festival in 2010, bringing back original performers and welcoming new ones like Lights and Serena Ryder.

The documentary is based on music journalist Jessica Hopper's 2019 oral history of the festival, written with Sasha Geffen and Jenn Pelly, which describes the mid-to-late '90s as a breakthrough moment for women songwriters on the charts, when McLachlan, Crow, Alanis Morissette, Lisa Loeb and more were achieving mainstream success but still coming up against sexist barriers in the industry.

The oral history also highlights how progress isn't absolute: even as Lilith Fair proved that festivals could have huge sales with only women on the bill, the festival was stereotyped as overly feminine and frivolous. And as pop music entered the 2000s, many women were pushed back into the margins, with the successes of Lilith forgotten or ignored. Even today, 25 years after Lilith Fair, festival lineups are still male-dominated, as the Instagram account Book More Women highlights.

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The documentary, executive produced by Hopper, will reflect on these lessons and legacies, drawing from over 600 hours of archival footage. "I want to give a deeper understanding of the festival to the young female, nonbinary and queer musicians, and music fans who picked up a guitar or tickets to a concert for the first time because Lilith showed them how," says Pankiw.

The film about McLachlan's festival comes as the Canadian singer-songwriter is looking back on her own trajectory, with a tour celebrating the 30th anniversary of her album Fumbling Towards Ecstasy. This fall, she will also be inducted into the Canadian Songwriters Hall of Fame.

Lilith Fair is set for a Canadian theatrical run, distributed by Elevation Pictures, and will premiere on CBC during the 2025-26 season.

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Tegan and Sara
Éluvier Acosta
Tegan and Sara
Awards

Tegan and Sara, Jackie Mittoo Win 2024 Polaris Heritage Prize for Classic Canadian Albums

The indie rock duo won the public vote with their 2004 album So Jealous, while Mittoo's classic reggae album Macka Fat received the jury's designation for Slaight Family Polaris Heritage Prize, which honours albums released before the Polaris Music Prize launched in 2006.

Two influential Canadian albums have been named to the ranks of Polaris Heritage Prize winners.

Tegan and Sara's 2004 indie rock statement So Jealous and Jackie Mittoo's 1970s reggae classic Macka Fat have received the 2024 Slaight Family Polaris Heritage Prize designation. The prize honours albums released before the Polaris Music Prize launched in 2006 and acts somewhat like a hall of fame for great Canadian albums.

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